Devant la raffinerie 003 (2025) Photography by Maxime Follin

Photography, 15.8x11.8 in
$315.23
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Tirage fine art à jet d’encre pigmentaire sur papier Hahnemühle Photo Rag Ultra Smooth, réalisé sous le contrôle direct de l’artiste. Extrait de la série Au bord du réel (2025), réalisée dans la zone pétrochimique d’Anvers. About this artwork: Classification, Techniques & Styles. Digital Photography. Techniques for obtaining a photograph by using an [...]
Tirage fine art à jet d’encre pigmentaire sur papier Hahnemühle Photo Rag Ultra Smooth, réalisé sous le contrôle direct de l’artiste.
Extrait de la série Au bord du réel (2025), réalisée dans la zone pétrochimique d’Anvers.

Related themes

IndustryPetrochemistryCarBmwBlack And White

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Emerging photographer Maxime Follin develops a practice centered on the observation of industrial sites and deserted spaces. After an initial path in the merchant navy at the Antwerp Maritime Academy, he turned [...]

Emerging photographer Maxime Follin develops a practice centered on the observation of industrial sites and deserted spaces. After an initial path in the merchant navy at the Antwerp Maritime Academy, he turned to photography as a parallel means of exploring reality and shaping perception. He works exclusively with a full-frame 50mm fixed lens to maintain a constant distance and stay true to his own vision. His focus lies on lines, forms, materials, light, and verticality (Kairos). Printing is a vital step in his process: each photograph is personally printed on textured matte fine art paper, with the intention of giving the image a physical, tactile, and lasting presence. His practice follows a slow and rigorous approach, born of long photographic walks—an errant method where each decision, from composition to print, is made to faithfully render textures as samples of the real.

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