Digital Arts titled "Disease in decay" by Matteo Bona, Original Artwork, Digital Print

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Disease in decay (2020) Digital Arts by Matteo Bona

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Use worldwide	Yes
Use on multi-support	Yes
Use on any type of media	Yes
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Original Artwork Digital Arts, Digital Print on Linen Canvas

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 23.7in, Width 17.7in
Framing This artwork is not framed
Categories Digital Arts under $1,000 Conceptual Art Everyday Life

Æsthesis feeds the need of revolution, a transvaluation of all the previous supposition about pseudo-classical delightfulness in contemporary art approach; a new way to intend art itself, beauty and social awareness inside a chaotic world of injustice, pollution, and unreliability. There's no 'How,' there's no 'Why'—is just necessary. In this way, considering as fundamental our past, our origins and our future possibilities, we can't deny ourselves a new way to perceive art, a way in which we can see together past, present and (as of the end of our synthesis) future. This all-encompassing process of fusion (an idea that I've already developed and structured in different approaches in other projects) is now processed in two different points.

I. Visual Content: the intermediation between Hellenic, or Classic Art and modern structure as Industries or roads, cargos, etc.;

II. Used methods: the digital elaboration gives the possibility to explore from a different point of view the process that generates art itself and how effectively the art isn't relegated to a precise place, but it's a general, human process due to the Zeitgeist.

So, for these reasons, Æsthesis tries to show how the art's possibilities aren't linked to the «hic et nunc», but are a sort of specter of our collective consciousness.

Matteo Bona

Italy

Matteo Bona was born on January 1st, 1997, in Asti (Piedmont, Italy). He studied at the Public Scientific Lyceum Francesco Vercelli. Now he studies Foreign Languages and Modern Literature at the Università del Piemonte Orientale. He published his first poems' collection “Oltre la Poesia - Anche la creazione muore” during 2015 and “Il senso del nulla” (Eng. "Nothingness sense") in January 2018. He received the Roma 3 Academic Prize “Apollo Dionisiaco” for the Unpublished Poem and the “Cesare Beccaria” Prize for the Figurative Art, both during 2016.

He has published the 'Cesare Beccaria' prizewinner artwork into the Garfield Lake Review (2018 Issue), paper journal of the Olivet College (Michigan State, USA).

Other artwork's publications accepted in American journals and magazines: "Boredom and other human vices", 805 Lit+Art; "Verlangen", Mangrove Journal (Miami University); "Die Lebensmüdgkeit", Memoir Magazine; "Die Lebensmüdgkeit", GNU Journal; "Die Vernichtung", Tenth Street Miscellany; “Verlangen”, New Plains Review (Central Oklahoma University); “The Aesthetic of the Renewal”, Waxing & Waning; "Urban Nietzsche", Rebel Satori Press; "Onyria", Sink Hollow; "Das Sezieren bei Lebensmüdigkeit", Oakland Review (Carnegie Mellon University).

In July 2018, he published "Preludi" (Montag Editore), a collection of stories dealing with the troubles in the contemporary existentialism. At the end of November 2018 he published “Le feritoie d’alabastro” (Ofelia Editrice). The author published in 2018 a graphic project for Cold Mountain Review called “Die Vernichtung” and he won the Appalachian State University Readers’ Choice Award for that project.