Fleurs multicolores au vase blanc (2023) Painting by Maryse Curinier-Rochette

Acrylic on Canvas, 15.8x15.8 in
$377.21
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Fine art paper, 8x8 in
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
Mounted on Wood Stretcher frame
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic / Marker on Canvas
  • Dimensions Height 15.8in, Width 15.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Paintings under $500 Expressionism Flower
La toile comporte trois élément principaux : un meuble, un vase et des fleurs sur un fond clair. Tout d'abord un coin de meuble qui part d'en bas à gauche et qui se termine en oblique un peu après le centre à droite. Il est peint en marron orangé, terre de Sienne avec des touches apparentes plus foncées. Au-dessus un vase au blanc presque uniforme [...]
La toile comporte trois élément principaux : un meuble, un vase et des fleurs sur un fond clair.
Tout d'abord un coin de meuble qui part d'en bas à gauche et qui se termine en oblique un peu après le centre à droite.
Il est peint en marron orangé, terre de Sienne avec des touches apparentes plus foncées.
Au-dessus un vase au blanc presque uniforme est parfaitement au centre de la toile.
Trois grosses fleurs en grappes et deux surfaces triangulaires plus petites évoquant des grappes que l'on ne verrait pas entièrement dominent le vase. Les couleurs chaudes des grappes de fleurs reprennent entre autres certaines couleurs du meuble, mais d'autres couleurs sont présentes: du jaune orangé, de l'ocre, du orange, du rouge, du mauve, du Terre de Sienne dans différentes valeurs. On peut voir aussi dans ces grappes des touches vertes plus ou moins lumineuses et plus ou moins foncées qui évoquent le feuillage. Pour que les grappes de fleurs restent plus lumineuses, j'ai laissé en-dessous par endroits le blanc du papier.
Trois belles feuilles vernissées sont placées en haut du vase, juste sous les fleurs.
Un autre genre de feuillage est placé en plusieurs endroits autour des grappes de fleurs. Pour le réaliser, j'ai utilisé le côté d'un long couteau à peindre. J'ai utilisé la même méthode pour donner l'idée de petits rameaux soutenant les fleurs.
La signature est située à droite du vase, vers le bas.
Le fond clair et froid fait ressortir le bouquet. Il est travaillé principalement avec des touches de bleus et de verts de même valeur. Quelques traces très légères d'ocre et de Terre de Sienne viennent cependant tempérer la brutalité de ce fond.
Encore une fois, je me suis régalée pour cette peinture.

Related themes

BouquetMulticoloreGrappesFleurVase

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Maryse CURINIER-ROCHETTE. Born in 1954. The artist lives in Ardèche, France where she worked for a long time as a teacher. In 1977, following health problems, she devotes herself fully to the education of her [...]

Maryse CURINIER-ROCHETTE


Born in 1954.


The artist lives in Ardèche, France where she worked for a long time as a teacher.

In 1977, following health problems, she devotes herself fully to the education of her children and decides to prepare jointly a degree in psychology by correspondence, and a preparation for the degree in plastic arts.


Her work as a painter is the result of the disturbing opposition of the two emotions that lead her to create: on the one hand a contemplative sensitivity, and on the other hand a deep existential anguish linked to biographical and societal elements.


This dichotomy is expressed in her paintings by a multiplication of genres, themes and techniques.

Each work in its singularity is the answer to a moment T of his perpetual back and forth in search of a complicated balance between his doubts and fears and his tendency to wonder, his will to optimism.

A study of flowers testifies to the simple pleasure of observing the infinite aesthetic generosity of his environment, but the next painting drawn in a few energetic brushstrokes betrays his dismay, his helplessness and his distress in front of the suffering of his fellow human beings.

Often, his impression of dramatic loneliness is staged in a more allusive way by a detail such as a lone tree at the water's edge.

Sometimes, the choice of a humorous title proclaims a well-conceived joie de vivre.


The viewer is at first puzzled by this eclecticism. But the multiplication of anecdotes on the canvas offers him many opportunities to empathize, and he can then join the artist in his exploration of the complexity of the soul.

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