Balade entre confinement et déconfinement (2020) Painting by Maryse Curinier-Rochette

Oil on Canvas, 15.8x15.8 in
$418.65
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Mounted on Wood Stretcher frame
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 15.8in, Width 15.8in
  • Framing This artwork is not framed
  • Categories Paintings under $500 Figurative
Oeuvre originale à l'huile sur toile sur châssis , de forme carrée. Peinture réalisée d'après une photo proposée sur le forum WetCanvas. Les bords du châssis sont peints, il est donc inutile d'encadrer le tableau avant de l'exposer. Cette toile représente un personnage de sexe féminin, vu de dos, qui marche sur[...]
Oeuvre originale à l'huile sur toile sur châssis , de forme carrée.
Peinture réalisée d'après une photo proposée sur le forum WetCanvas.
Les bords du châssis sont peints, il est donc inutile d'encadrer le tableau avant de l'exposer.
Cette toile représente un personnage de sexe féminin, vu de dos, qui marche sur un banc de sable entre deux étendues d'eau aux reflets changeants. Sur la gauche, on peut voir quelques arbres à l'orée d'une forêt voisine.
Ici encore, l'impression de solitude, d'absence de communication, le personnage est de dos...
Ici aussi, le chemin étroit qui est le seul possible au risque sinon de se noyer dans l'eau glacée ou de se perdre dans la forêt pleine d'embûches...



Original artwork in oil on canvas on frame, square shape.
Painting made from a photo proposed on WetCanvas forum.
The edges of the frame are painted, so there is no need to frame the painting before exposing it.
This artwork represents a female character, seen from the back, who walks on a sandbank between two bodies of water with changing reflections. On the left, you can see some trees at the edge of a nearby forest.

Obra original en óleo sobre lienzo sobre bastidor, forma cuadrada.
Pintura realizada a partir de una foto publicada en el foro de WetCanvas.
Los bordes del marco están pintados, por lo que no es necesario enmarcar la pintura antes de exponerla.
Representa a un personaje femenino, visto desde atrás, que camina sobre un banco de arena entre dos cuerpos de agua con reflejos cambiantes. A la izquierda, puedes ver algunos árboles al borde de un bosque cercano.



Oryginalna praca w oleju na płótnie na ramie, kwadratowy kształt.
Obraz wykonany ze zdjęcia opublikowanego na forum WetCanvas.
Krawędzie ramy są pomalowane, więc nie ma potrzeby kadrowania obrazu przed naświetleniem go.
Przedstawia kobiecą postać widzianą z tyłu, która spaceruje po piaszczystym brzegu między dwoma zbiornikami wodnymi ze zmiennymi odbiciami. Po lewej stronie widać drzewa na skraju pobliskiego lasu.


Originalarbeit in Öl auf Leinwand auf Rahmen, quadratische Form.
Gemälde aus einem Foto, das im WetCanvas-Forum veröffentlicht wurde.
Die Kanten des Rahmens sind bemalt, sodass das Bild vor dem Belichten nicht gerahmt werden muss.
Es stellt eine weibliche Figur dar, von hinten gesehen, die auf einer Sandbank zwischen zwei Gewässern mit wechselnden Reflexionen geht. Auf der linken Seite sehen Sie einige Bäume am Rande eines nahe gelegenen Waldes.

Related themes

PromenadePersonnageBaladeEauSable

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Maryse CURINIER-ROCHETTE Born in 1954. The artist lives in Ardèche, France where she worked for a long time as a teacher. In 1977, following health problems, she[...]

Maryse CURINIER-ROCHETTE


Born in 1954.


The artist lives in Ardèche, France where she worked for a long time as a teacher.

In 1977, following health problems, she devotes herself fully to the education of her children and decides to prepare jointly a degree in psychology by correspondence, and a preparation for the degree in plastic arts.


Her work as a painter is the result of the disturbing opposition of the two emotions that lead her to create: on the one hand a contemplative sensitivity, and on the other hand a deep existential anguish linked to biographical and societal elements.


This dichotomy is expressed in her paintings by a multiplication of genres, themes and techniques.

Each work in its singularity is the answer to a moment T of his perpetual back and forth in search of a complicated balance between his doubts and fears and his tendency to wonder, his will to optimism.

A study of flowers testifies to the simple pleasure of observing the infinite aesthetic generosity of his environment, but the next painting drawn in a few energetic brushstrokes betrays his dismay, his helplessness and his distress in front of the suffering of his fellow human beings.

Often, his impression of dramatic loneliness is staged in a more allusive way by a detail such as a lone tree at the water's edge.

Sometimes, the choice of a humorous title proclaims a well-conceived joie de vivre.


The viewer is at first puzzled by this eclecticism. But the multiplication of anecdotes on the canvas offers him many opportunities to empathize, and he can then join the artist in his exploration of the complexity of the soul.

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