Cygnus olor (2022) Drawing by Marlène Bonnaffé

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Seller Marlène Bonnaffé

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  1118 px  

1500 px
Dimensions of the file (px) 1118x1500
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Cygnus Olor, encre, marqueur et crayon aquarellable sur papier, 2022. Dessiner, peindre, chercher l'erreur, le défaut, la faute parfaite. Parfois l'inachevé par paresse, s'en est devenu un goût. Du pot de yaourt aux rochers de Bretagne. J'aime les anciennes encyclopédies sur le monde animal. Je découvre des corps étonnants, rigolos, inattendus. Des [...]
Cygnus Olor, encre, marqueur et crayon aquarellable sur papier, 2022


Dessiner, peindre, chercher l'erreur, le défaut, la faute parfaite. Parfois l'inachevé par paresse, s'en est devenu un goût.

Du pot de yaourt aux rochers de Bretagne. J'aime les anciennes encyclopédies sur le monde animal. Je découvre des corps étonnants, rigolos, inattendus. Des traits vibrants, parfois des couleurs vives. Avec un intérêt constant pour l'abstraction dans la figuration. Le goût des formes et des couleurs avant celui de la représentation fidèle et scientifique.

La recherche de nouveaux pinceaux m'a mené à l'utilisation du hérisson, l'outil du ramoneur. Cet objet en métal, avec lequel mon père gagnait sa vie, est devenu mon outil préféré. Il lacère la peinture, créateur de lignes verticales irrégulières. Pure abstraction ou associé à de la figuration, compositions sombres ou colorées, je cherche à diversifier son utilisation.

Related themes

OiseauCygneDessinEsquisseInachevé

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Marlène Bonnaffé is a French painter and drawer born in 1993 in the Jura. Since childhood, she has always loved drawing and painting, looking for the error, the flaw, the perfect mistake. At the [...]

Marlène Bonnaffé is a French painter and drawer born in 1993 in the Jura.

Since childhood, she has always loved drawing and painting, looking for the error, the flaw, the perfect mistake. At the age of 13, she joined an artist's workshop to master new artistic techniques. Reproduction bored her, she quickly tasted the joy of solitude in front of her empty canvases.

After several years of exploring drawing and figurative painting, she recently turned to abstract painting. She chose her brush; bigger, stronger, more rusty: the hedgehog. It was the tool that her father used to earn his living, and it was also the tool that caused him to lose her. His heritage lacerates his canvases, shapes them, animates them, at the same time as it hurts them.

See more from Marlène Bonnaffé

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Drawing titled "Escaliers du public…" by Marlène Bonnaffé, Original Artwork, Marker
Marker on Paper | 11.8x9.5 in
On Request
Drawing titled "Chapiteau" by Marlène Bonnaffé, Original Artwork, Marker
Marker on Paper | 11.8x10.2 in
On Request
Drawing titled "Broken colonne" by Marlène Bonnaffé, Original Artwork, Marker
Marker on Paper | 15.8x12.6 in
On Request
Drawing titled "Le pourtour de l’hé…" by Marlène Bonnaffé, Original Artwork, Marker
Marker on Paper | 11.8x11.8 in
On Request

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