Gigli D'acqua (1997) Printmaking by Mario Schifano

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| TIRATURA LIMITATA |. Dimensioni 100x70. Serigrafia originale del Maestro Mario Schifano risalente al 1996 tirata a 199 arabi+ C romani firmata a mano, in una delle sue tematiche più importanti: "I Gigli D'acqua". Timbro a secco dell'artista in basso a destra. N.B. Il numero di tiratura potrebbe essere diverso da quello delle immagini. l'esemplare [...]
| TIRATURA LIMITATA |
Dimensioni 100x70

Serigrafia originale del Maestro Mario Schifano risalente al 1996 tirata a 199 arabi+ C romani firmata a mano, in una delle sue tematiche più importanti: "I Gigli D'acqua".

Timbro a secco dell'artista in basso a destra.

N.B. Il numero di tiratura potrebbe essere diverso da quello delle immagini. l'esemplare che riceverete avrà comunque le stesse identiche caratteristiche di quelle rappresentate in questa inserzione.

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Tale dichiarazione, sarà firmata e certificata dal venditore.

L'autenticità è parte integrante dell’opera d’arte e in base a quanto stabilito dalla Legge n. 633 del 22 aprile 1941, il diritto ad autenticare l’opera d’arte spetta all’artista o all’editore, e il venditore è tenuto a fornire tale certificato.

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Mario Schifano (1934–1998) was an influential Italian painter and filmmaker, widely recognized as one of the leading figures of postwar Italian art. Born in Homs, Libya, Schifano moved to Rome with his family [...]

Mario Schifano (1934–1998) was an influential Italian painter and filmmaker, widely recognized as one of the leading figures of postwar Italian art. Born in Homs, Libya, Schifano moved to Rome with his family in 1941, where he later became a key figure in the Italian Pop Art movement. His work is noted for its dynamic and innovative approach, blending elements of abstraction, conceptualism, and popular culture.

Schifano initially gained attention in the early 1960s with his "Monocromi" series—large canvases painted in a single color with a strip of paper or tape along one edge, questioning the nature of painting itself. His work soon evolved to incorporate imagery from mass media, advertising, and consumer culture, drawing comparisons to American Pop artists like Andy Warhol. However, Schifano's art retained a distinctly European sensibility, often reflecting on the complexities of modern life and the impact of technology and media on society.

Throughout the 1960s and 1970s, Schifano's experimentation extended beyond painting to include photography, video, and film, further broadening his artistic repertoire. His films, such as "Umano non umano" (1969), were part of the avant-garde cinema movement, blending documentary and fiction in a style that was both innovative and reflective of the countercultural spirit of the time.

Schifano's later works continued to explore the interplay between high art and popular culture, with vibrant, chaotic compositions that often featured overlapping layers of text, imagery, and gestural marks. Despite struggles with addiction and personal challenges, his creativity remained prolific until his death in Rome in 1998.

Mario Schifano's legacy is marked by his significant contributions to contemporary art, particularly in his exploration of the boundaries between different media and his commentary on the visual culture of the modern world. His works are held in major collections and continue to be celebrated for their boldness, energy, and relevance.

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Printmaking titled "Senza titolo" by Mario Schifano, Original Artwork, Screenprinting
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On Request

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