Sunrise / Рассвет (2024) Painting by Marina Letty

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Seller Marina Letty

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Art image bank
  • Original Artwork (One Of A Kind) Painting, Acrylic / Embroidery / Fabric on Canvas
  • Dimensions Height 19.7in, Width 11.8in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Categories Conceptual Art Female nudes
"Sunrise". 30*50 cm, Indian velvet, floss, acrylic, canvas. 2024. Corporality is one of the themes that runs like a red thought (thread) through my research. Everywhere you turn, you will see that the female body has long become a marketing tool. We need to attract attention, sell, make a scandal - the female body will be used everywhere. Why "Sunrise"? [...]
"Sunrise"

30*50 cm, Indian velvet, floss, acrylic, canvas
2024

Corporality is one of the themes that runs like a red thought (thread) through my research.

Everywhere you turn, you will see that the female body has long become a marketing tool.
We need to attract attention, sell, make a scandal - the female body will be used everywhere.

Why "Sunrise"?
Just as planet earth revolves around the sun, so our world revolves around women’s charms.
Women were exploited, sold, used, deals and contracts were concluded on them, unequal marriages were arranged, etc.
But it is the woman who feeds with milk, like mother nature, all the tyrants.

Nature and woman are abundant, soft, sensual. They give what no one can give - love and mercy, selflessness and warmth. And Life, after all...


"Рассвет"

30*50 см, индийский бархат, мулине, акрил, холст
2024г

Телесность - одна из тем, которая красной мыслью (нитью) проходит через моё исследование.

Куда ни обернись - везде вы увидите, что женское тело давно стало инструментом маркетинга.
Надо привлечь внимание, продать, сделать скандал - везде будут использовать женское тело.

Почему же "Рассвет"?
Как планета земля крутится вокруг солнца, так и наш мир крутится вокруг женских прелестей.
Женщин эксплуатировали, продавали, пользовались, заключали на них сделки и договора, устраивали неравные браки и тд.
Но именно женщина вскармливает молоком, как природа-мать, всех тиранов.

Природа и женщина изобильны, мягки, чувственны. Они дают то, что не может дать никто - любовь и милосердие, бескорыстность и тепло. И Жизнь, в конце концов..

Related themes

WomenRedNakedBodyMilk

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Marina Letti (Petrova, born 1982) is a Russian artist. She was born and works in Cherepovets. She studied at the art and graphic department of Cherepovets State University.Marina works with the theme of self-identification [...]

Marina Letti (Petrova, born 1982) is a Russian artist. She was born and works in Cherepovets. She studied at the art and graphic department of Cherepovets State University.Marina works with the theme of self-identification as a woman and a person, having gone through denial and rejection of her body and essence. Drawing on the experience of living in a male monastery in India and an attempt to suppress the feminine nature in herself, the artist faced many internal conflicts that began to destroy her from the inside, and subsequently influenced the choice of the direction of the subject of her work.

Since 2021, she has been a regular participant in group exhibitions, including international ones. Her paintings are in the private collection of Rossotrudnichestvo of the Ministry of Foreign Affairs, Ankara (Turkey) and in Russia. Since 2024, she has been studying with art curator and art critic Maria Sedoshenko on the program "Introduction to the Theory and Practice of Contemporary Art". 

Three years of living in a male monastery in India, completely immersed in spirituality, became an invaluable experience for me, where I went through different stages of rejecting myself as a woman, not accepting my body and considering myself inferior to men simply by the fact of birth. Having encountered certain dogmas that dictated to me external angles of internal self-perception, I eventually rejected most of them, and began to collect myself piece by piece. Directly living through such an experience formed the basis for choosing the topic of self-identification, which I have been studying for 4 years now. 

Working now on a series about internal traumas, I take my entire life - from childhood to the present moment. In my research, I look for the beginning, and trace how my parents and the opinion of society reflected on my development, and how life in the monastery influenced me. Asking questions - who am I? What does it mean to be a woman in our world, and where can I find support? - I do not focus only on myself. I suggest that the viewer ask these questions themselves, turning to themselves from within.My art goes through experiments with different mediums. In addition to the usual acrylic and oil, I work with fabric, threads, use thorns, wood, paper, wax, etc. Many of my works are characterized by cuts and punctures - inflicted internal wounds require their detection, and then overcoming the pain and restoring their integrity by stitching with threads. Depicting a naked body, I very directly show how defenseless and vulnerable a woman can be in front of society. With the help of texture and three-dimensional works made from plaster bandages, papier-mâché and other materials, I overcome the space of the canvas to further immerse the viewer in the work, give a more tactile perception, show the fragility of human nature.

See more from Marina Letty

View all artworks
Painting titled "Samsara. Path of th…" by Marina Letty, Original Artwork, Acrylic
Acrylic on Canvas | 39.4x39.4 in
$2,744.96
Painting titled "I'm fine, thank you" by Marina Letty, Original Artwork, Acrylic
Acrylic on Canvas | 7.9x7.9 in
$506.69
Prints available
Painting titled "I am shy / Я стесня…" by Marina Letty, Original Artwork, Oil
Oil on Canvas | 27.6x15.8 in
$1,465.95
Prints available
Sculpture titled "U can" by Marina Letty, Original Artwork, Paper maché
Sculpture - Paper maché | 12.6x14.6 in
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