Linocut Tuvan shamans, variation #1 (2023) Printmaking by Margarita Suliaeva

Printmaking on Paper, 27.6x19.7 in
$460.3
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This artwork appears in 3 collections
These figurines are made for my latest work on the topic of sacrifice. There is a theory, a myth that a real live bear was killed by the shamans of Tuva in the name of victory in the war. (mishku zhalko) About this artwork: Classification, Techniques & Styles[...]
These figurines are made for my latest work on the topic of sacrifice. There is a theory, a myth that a real live bear was killed by the shamans of Tuva in the name of victory in the war. (mishku zhalko)

Related themes

ShamanMythTuvaVictoryWar

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Margarita Suliaeva is a contemporary Russian visual artist based in Serbia, whose artistic prowess centers on the intricate world of printing graphics, with a particular focus on[...]

Margarita Suliaeva is a contemporary Russian visual artist based in Serbia, whose artistic prowess centers on the intricate world of printing graphics, with a particular focus on lithography. This ancient technique holds a special place in Suliaeva's heart, for it possesses the unique capacity to amalgamate the cold precision of steel and machinery with the vital warmth of human blood - a juxtaposition she finds truly enchanting. Throughout her body of work, the theme of oxymoronic dissimilarity weaves its way, serving as a unifying thread that defines the essence of Suliaeva's artistic expression.

Margarita's artistic journey includes a notable educational background, having graduated with honors from the Moscow State Academic Art Institute named after V.I. Surikov. This esteemed alma mater boasts a legacy that includes notable artists such as Ernst Neizvestny, Tahir Salahov, Erik Bulatov, Viktor Popkov, and Gely Korzhev. Her expertise as a graphic artist was solidified through her graduate thesis, a series of graphic artworks titled "Mzunzu." Executed between 2020 and 2021, these 16 pieces were born out of a cultural expedition to Africa, specifically Tanzania.

The "Mzunzu" series, which served as her graduate thesis, encapsulates Suliaeva's profound exploration of the indigenous cultural heritage of African tribes. This endeavor unfolded during and after her cultural expedition, providing a nuanced lens through which she sought to rediscover the richness and depth of African cultures. This body of work serves as a testament to Suliaeva's commitment to exploring intercultural differences, the primal origins of humanity, the essence of childhood, and the interconnectedness of the global human experience.

In a remarkable extension of her artistic exploration, the "Mzunzu" series served as the foundation for Margarita Suliaeva's inaugural solo exhibition. This showcase delved into the themes of intercultural disparities, the fundamental nature of human origin, the innocence of childhood, and the universal concept of the global child. Through her lithographic mastery and the evocative narratives woven into her works, Suliaeva continues to make a significant mark in the world of contemporary visual art, bridging cultures and perspectives with each stroke of her artistic expression.

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