"Hair String" (2004) 绘画 由 Makinti Napanangka

丙烯在亚麻帆布上, 59.1x39.4 in
US$20,272.5
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  • 原创艺术品 (One Of A Kind) 绘画, 丙烯 在亚麻帆布上
  • 外形尺寸 高度 59.1in, 宽度 39.4in
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  • 分类 画作 从US$20,000 抽象主义
Art Gallery Quality - A Stunningly Beautiful Painting By Makinti Napanangka, one of the most renowned Australian artists. Title - "Hair String". Painted in 2004 when Makinti was at her best. Size is 150 cms by 100 cms (59 by 39 inches). Acrylic on Belgian linen. Excellent provenance. Stunning colours. 10 work in progress images. The lines that are [...]
Art Gallery Quality - A Stunningly Beautiful Painting By Makinti Napanangka, one of the most renowned Australian artists.

Title - "Hair String"
Painted in 2004 when Makinti was at her best
Size is 150 cms by 100 cms (59 by 39 inches)
Acrylic on Belgian linen
Excellent provenance
Stunning colours
10 work in progress images

The lines that are found throughout Makinti's artworks relate to the hair string ceremonial skirts that women would wear during Pintupi ceremonies. Songs and dances are performed and these are also represented in her artworks through repetitive clusters of lines.

About Makinti Napanangka (Deceased)

Makinti Napanangka was born in approximately 1930 and sadly passed away in January 2011.

Makinti is considered one of Australia's most influential and talented Aboriginal artists post the Emily Kame Kngwarreye era, and prior to her death was considered Australia's most collectable living Aboriginal artist. She was from the Pintupi language group and region of Central Australia.

Makinti's first contact with white people was seeing them ride camels when she was living at Lupul. She was one of a large group of people who walked into Hassts Bluff in the early 1940?s, together with her husband Nyukuti Tjupurrula (brother of well known Aboriginal artists Nosepeg Tjupurrula) and their infant son Ginger Tjakamarra.

Makinti began painting for Papunya Tula Artists in 1996 but had already had experience working with acrylic paints and canvas during the Kintore and Haasts Bluff art project held in 1993/1994. Her children Ginger, Narrabri (who sadly passed away in 2010) and Jacqueline all went on to have artistic career with Papunya Tula Artists as well. Makinti's career took off during the mid 1990's as interest grew and her unique style developed.

A physically small woman she was very robust and strong. Her art is characterised by a more spontaneous approach in illustrating traditional iconography so often seen in Pintupi artwork.

Her artworks may seem very abstract with the interplay of colours such as yellow, orange and white with circles and lines throughout however her paintings are still very much based on her Dreaming of Kungka Kutjarra (Two Women). The lines that are found throughout her artworks relate to the hair string ceremonial skirts that women would wear during Pintupi ceremonies. Songs and dances are performed and these are also represented in her artworks through repetitive clusters of lines.

Her artwork is represented in some of the most significant Australian public art collections. She has participated in countless exhibitions since the start of her artistic career and has been recognised as being in the top 50 most collectable Aboriginal Artists of all time.

Over her career she was a selected entrant on many occasions in Australians most prestigious art prize, the National Aboriginal and Torres Strait Islander Art Award and was the overall winner of this in 2008.

Makinti's collections include -

National Gallery of Victoria.
Art Gallery of New South Wales.
Queensland Art Gallery.
Museum and Art Gallery of the Northern Territory.
Shell Aboriginal Art Fund Collection.
Collection of Margaret Levi and Robert Kaplan.
Collection of Richard Klingler.
Macquarie Bank Collection.

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Makinti Napanangka(c.1930-2011)被认为是澳大利亚最具影响力和才华横溢的原住民艺术家之一,在后 Emily Kame Kngwarreye 时代留下了重要印记。在她去世之前,她拥有澳大利亚最具收藏价值的在世原住民艺术家的殊荣。马金蒂来自澳大利亚中部的平图皮语族,她的艺术之旅是在其丰富的文化遗产背景下展开的。. Makinti 于 1996 年开始涉足艺术界,当时她开始为 Papunya [...]

Makinti Napanangka(c.1930-2011)被认为是澳大利亚最具影响力和才华横溢的原住民艺术家之一,在后 Emily Kame Kngwarreye 时代留下了重要印记。在她去世之前,她拥有澳大利亚最具收藏价值的在世原住民艺术家的殊荣。马金蒂来自澳大利亚中部的平图皮语族,她的艺术之旅是在其丰富的文化遗产背景下展开的。

Makinti 于 1996 年开始涉足艺术界,当时她开始为 Papunya Tula Artists 绘画。然而,她对丙烯颜料和画布的熟悉源于 1993/1994 年早期的 Kintore 和 Haasts Bluff 艺术项目。这种艺术遗产延伸到了她的孩子 Ginger、Narrabri(于 2010 年不幸去世)和 Jacqueline,他们都在 Papunya Tula Artists 开始了艺术生涯。 Makinti 的职业生涯在 20 世纪 90 年代中期蓬勃发展,人们对她的作品越来越感兴趣,她独特的风格也不断发展。

她的艺​​术以自发的方式为特点,为传统的平图皮图像提供了独特的视角。虽然她的画作可能显得抽象,黄色、橙色和白色等色彩充满活力的相互作用,并饰有圆圈和线条,但它们仍然深深植根于她的《两个女人的梦想》中。这些线条是她作品中反复出现的主题,象征着 Pintupi 仪式上女性所穿的发绳礼服裙。马金蒂巧妙地将歌曲和舞蹈融入到她的艺术中,创造出与文化意义产生共鸣的重复线条。

Makinti Napanangka 的影响力超出了她独特的艺术表现力,为她在澳大利亚一些最重要的公共艺术收藏中赢得了一席之地。自职业生涯开始以来,她参加了众多展览,被公认为有史以来最具收藏价值的 50 位原住民艺术家之一。她在澳大利亚最负盛名的艺术奖项——国家原住民和托雷斯海峡岛民艺术奖中的持续表现进一步肯定了她在艺术界的卓越表现。 2008 年,Makinti 取得了成功的顶峰,被评为这一受人尊敬的奖项的总冠军。

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