WOMAN'S FACE IN PROFILE 1 (2025) Digital Arts by Lug Delpiede

Fine art paper, 8x8 in
  • This work is an "Open Edition" Digital Arts, GiclĂ©e Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Categories Pop Art Vanity
Conceived from the study of prehistoric finds and rock forms. About this artwork: Classification, Techniques & Styles. Technic Digital Arts. Digital art refers to a diverse set of creative categories using the specifics of language and digital devices, computer, interface or network. It has developed as an artistic genre since the early 1960s. As a [...]
Conceived from the study of prehistoric finds and rock forms.

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My Art, few Figures never seen before, represented in many ways (Digital Art). "The signic images" by Lug Delpiede. His works bear original features, I would certainly say ingenius, conceived from the study of [...]

My Art, few Figures never seen before, represented in many ways (Digital Art).

"The signic images" by Lug Delpiede

His works bear original features, I would certainly say ingenius, conceived from the study of prehistoric finds and rock forms.

Lug Delpiede has a conceptual finesse that arises from his own introspective vision of the so-called "form", which is not only stylistic but structural.

A space that lies undisturbed between a thin substrate of pure creativity, oscillating between chromaticisms and new lines, three-dimensional, intelligent, and thoughtful, equipped with sinuous and sharp trajectories.

They are the result of accurate elaborations that also tend to touch on an extreme minimalism, created in an effective and captivating way, through sprays of intuitive light for an artistic mind, which is aimed at future developments, giving us further conceptual steps.

The assembly concentrated in lines and shapes, which cut out a very beautiful and shaped general context, is fascinating.

By: Mario Salvo, International Teacher and Art Critic.

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