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Spider Temple (2019) Painting by Leonardo Passeri
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
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Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 995 px | ||
|
1500 px |
| Dimensions of the file (px) | 995x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Acrylic
on Wood
- Dimensions Height 78.7in, Width 51.2in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings from $20,000 Illustration Monument
Le due colonne esterne incarnano i guardiani: entità brutali, strumenti di forza e difesa, la componente muscolare e cieca del sistema. Le due colonne centrali, invece, sono scolpite come figure: un uomo e una donna che regnano, custodi e portatori del potere. Sono i sovrani sacri, o i volti del potere istituzionalizzato.
A dominare l’intera scena è la cupola a forma di ragno, simbolo antico di controllo, rete e destino. Dal suo centro pende una forma geometrica che ricorda un uovo sospeso, collocato tra le due figure centrali. Questo “uovo del potere” è l’emblema della discendenza, della trasmissione del dominio, e del ciclo chiuso di chi nasce già destinato a regnare.
La geometria, l’equilibrio compositivo e la tensione tra spiritualità e oppressione sono centrali nell’opera, che continua il linguaggio grafico e concettuale della serie, in bilico tra mitologia antica, ordine esoterico e critica del potere.
Related themes
Born in Assisi in 1982, Leonardo Passeri is a visionary artist whose creative path has been profoundly influenced by his studies at the Central Saint Martins School of Arts. Immersed in the cultural and aesthetic environment of the institution, Passeri has drawn inspiration from heterogeneous sources, including British philosophy, cyber-goth aesthetics, revivalist movements and the most extreme avant-garde.
Passeri's artistic evolution reflects a profound introspection, guided by an innate curiosity, constant research and reflection fueled by an urgent need for expression. In the early stages of his career, he dedicated himself to experimenting with pictorial languages and painting techniques, creating vivid abstract landscapes, characterised by bright and hypnotic colours and fluid, almost molecular forms, which evoke a sense of primordial existence.
Continuing on his path, Passeri's most recent projects delve into futuristic dimensions. These works represent post-apocalyptic scenarios, alien creatures, androgynous anthropomorphs and symbolic forms, set in undefined terrestrial and cosmic spaces. His creations offer glimpses into an imagined future, offering the viewer a unique and deeply stimulating experience.
Passeri's works have been exhibited not only in Italy, but also in the United Kingdom and other countries, testifying to his ability to fascinate the public with a language that merges avant-garde aesthetics and futuristic visions. Join the unfolding story of Leonardo Passeri's artistic journey, where each work invites contemplation and reveals a world of boundless imagination.
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Nationality:
ITALY
- Date of birth : 1982
- Artistic domains:
- Groups: Contemporary Italian Artists
