Forest Creatures #67 (2023) Malerei von Laura Partin

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  • Original-Kunstwerk (One Of A Kind) Malerei, Aquarell auf Papier
  • Masse Höhe 29,9in, Breite 22,1in
  • Zustand des Kunstwerks Das Kunstwerk ist in einwandfreiem Zustand
  • Rahmen Dieses Kunstwerk ist nicht gerahmt
  • Kategorien Gemälde unter 5.000 $ Minimalismus Abstrakte Kunst
In this work, I explored fluidity and emotion with watercolor. The colors merge to evoke a rich and complex inner world, inviting the observer in a poetic introspection. Each brush stroke is charged with energy, balancing figuration and abstraction to capture the ephemeral essence of our dreams and deepest thoughts. Vaquita, the rarest marine mammal [...]
In this work, I explored fluidity and emotion with watercolor. The colors merge to evoke a rich and complex inner world, inviting the observer in a poetic introspection. Each brush stroke is charged with energy, balancing figuration and abstraction to capture the ephemeral essence of our dreams and deepest thoughts. Vaquita, the rarest marine mammal in the world, is on the verge of extinction. The plight of cetaceans—whales, dolphins and porpoises—as a whole is illustrated by the rapid decline of the vaquita in Mexico, where there are approximately 10 individuals. Vaquitas are often caught and drowned in gill nets used by illegal fishing operations.
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Laura Partin is a contemporary artist exploring drawing techniques, as well as performance, installation or video art. Born in Iasi, Romania in 1986, she studied fine arts and art theory, at the George Enescu [...]

Laura Partin is a contemporary artist exploring drawing techniques, as well as performance, installation or video art.
Born in Iasi, Romania in 1986, she studied fine arts and art theory, at the George Enescu University. Between 2012 and 2014, she was a fellow in Fine Arts at the Romanian Cultural Institute in Venice. In 2021, she obtained a PhD in Fine Arts at the Paris 8 University.
Over the years, Laura has tackled subjects such as gender stereotypes, migrant labour and concepts from social psychology such as cognitive dissonance.
In the context of the pandemic, she became interested in the multimedia/performative potential of contemporary feminist poetry and in the time spent in nature as a form of introspective healing.
Laura is currently developing Glow in the Dark, an immersive installation aiming to illustrate, through various artistic mediums such as drawing, sound, performance, a series of stories about remarkable women in the history of art.

"My art arises from a need to understand societal phenomena and how I and those around me relate to them. I overanalyze, research, and explore in a quasi-playful manner with the participating audience, sometimes approaching them through forms of introspection and catharsis. I believe that turning vulnerabilities into a bond is the key to the times we live in.
Some of these phenomena are anticipatory grief, rethinking our relationship with nature in the context of the pandemic, alienation and displacement in relation to migration, nationalism, gender stereotypes, various concepts analysed by social psychologists in their experiments or forced evictions as an effect of racial prejudice and the housing crisis. "
Laura Partin

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