구매 옵션을 사용하여 Sebastian Alsfeld 의 ’ There We Go, That Looks A Bit Better Now ’ 작품 임대
Sebastian Alsfeld 의 드로잉 은 구매 옵션으로 임대 가능합니다.
월별 지불액을 선택하세요:
임대정보요청 "There We Go, That Looks A Bit Better Now"
저희에게 연락하세요., 금융 전문가가 24시간 이내에 연락을 드릴 것입니다.:
자주 묻는 질문
What are the advantages of leasing works of art?
- Financial Flexibility: You can enjoy exceptional, high-value works of art without a large initial investment.
- Tax Benefits: Receive potential tax benefits as rents can be deducted as a business expense.
How are the prices of monthly payments for leasing works of art set?
- The costs depend on the value of the work, the duration of the leasing contract, and any services included such as installation.
Can we buy the work after the leasing period?
- Yes, on ArtMajeur leasing contracts offer a purchase option at the end of the contract, allowing customers to acquire the work at a determined price (residual value).
How are the safety and insurance of works managed?
- Insurance during the duration of the rental contract is the responsibility of the customer. It is therefore important to check the details of your insurance contract to be sure that your leased works are covered in the event of damage.
What are the conditions for terminating the leasing contract before its end?
- Unless there are specific conditions, leasing contracts for works of art commit the client to payment of the entire price of the work; payments are therefore due until the end of the lease.
작가에 관하여
Born: Edmonton, Alberta, Canada. Living and working in Harbin, China.
Education:
1999-2002 Bachelor of Fine Arts with distinction, Painting Major, Alberta College of Art and Design, Calgary, AB. (Studied under acclaimed Canadian painter, Chris Cran)
1996-1998 Fine Arts Diploma, Grant MacEwan Community College, Edmonton, AB.
Artist Statement:
I have always understood painting as a medium that embodies a thought process which depicts an accumulation of marks over a period of time. My paintings are a record of actions and reactions which often result in explosive, fractured, and chaotic images. I am interested in paintings that need to be visually unpacked; to discover which actions or marks came first and how they were applied and constructed.
I'm interested in paintings that can't be readily resolved. It should take time, cause trouble, and pull you back to look at it, look at it more; not sit in a space or on a wall and be some comfortable, decorative object.
I also understand there is a fine line between just plain old bad, uninteresting painting, and a painting that frustrates, gets under your skin a little, and commands some attention. It's the latter that drives me to keep doing this weird activity ( in this day and age) we call painting.
I pursue no objectives, no system, no tendency; I have no program, no style, no direction. I have no time for specialized concerns, working themes or variations that lead to mastery. I steer clear of definitions. I don’t know what I want. I am inconsistent, noncommittal, passive; I like the indefinite, the boundless; I like continual uncertainty.
—Gerhard Richter
Me, too.
—Manuel Ocampo
Me, three.
_Sebastian Alsfeld
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국적:
캐나다
- 생년월일 : 1977
- 예술적 영역:
- 여러 떼: 현대 캐나다 예술가
