Vive La France (2020) Painting by Mickael Bereriche (KESMO)
Seller Mickael Bereriche (KESMO)
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 1139 px | ||
|
1500 px |
| Dimensions of the file (px) | 1139x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Ink
/
Acrylic
/
Spray paint
/
Pencil
/
Marker
/
Ballpoint pen
on Canvas
- Dimensions Height 35.4in, Width 27.6in
- Framing This artwork is not framed
- Categories Street Art
Je pense être comme la plupart des gens, "dans le flou" concernant la suite ou l'issus de tout ça. J'ai donc plus travaillé "le souvenir" que je garderais, assez sombre, mais quand même avec un espoir que cela ce termine bien, évidement!!
Elle représente un buste d'une Marianne bien fatiguée, cachée par un masque transparent (polémique des masques en France) comme impuissante, plus de bras, plus de jambes, mais toujours un regard vers un avenir peut être utopique.
J'ai donc utilisé des encres GROG et des marqueurs bleu, blanc et rouge pour le fond
Ça tunique est salie par les mensonges.
Malgré tout, elle garde la tête sur les épaules grâce aux courageux travailleurs qui font le taf tous les jours!! (représentés par le chapeau d'infirmière)
Le pins tricolor est juste un clin d'œil aux élections municipales, qui aux départs du confinement avait l'air plus importante que le virus !
Le cadre blanc plein de tags... (c'est une technique qui viens du graffiti qui s'appelle ''punition'')... représente ''les gens'', NOUS... Qui sommes comme puni et cadré, à des restrictions de déplacements, couvre feu etc...
Après je pense qu'il y a pire que moi et toute l'année, pas qu’en cette période bizarre... c'est pour ça que je garde espoir que tout cela s'arrête vite et dans les meilleures conditions...
Related themes
Mickael Bereriche, aka KESMO, is a digital artist, painter and photographer whose artistic approach celebrates imperfection and raw material. His universe is made of various mediums that he saturates with inks and paints, playing with rust, mold and reliefs. KESMO likes to work with impasto, creating textured canvases that invite touch, almost like walls where each gesture leaves an imprint.
Graffiti, and more specifically tagging, is at the heart of his artistic expression. KESMO considers this practice as an ancestral art form, close to calligraphy and typography. For him, finding the most beautiful letter, then building a coherent whole, is a goldsmith's work that combines discipline and aesthetics. His journey began with tagging, and his love for well-made writing is a tribute to this practice that he has perfected since childhood.
KESMO's work fuses urban art and traditional pictorial techniques, creating a unique style where the brutality of the materials harmonizes with the finesse of the artistic gesture.
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Nationality:
FRANCE
- Date of birth : 1985
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
