stalingrad (2007) Painting by Julien Cuny

Oil, 43.3x55.1 in
$1,276.02
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  • Original Artwork Painting, Oil
  • Dimensions Height 43.3in, Width 55.1in
  • Categories Paintings under $5,000
gabardine, cigarette, dans le froid russe About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger. Technic Painting. Painting is an art form of painting [...]
gabardine, cigarette, dans le froid russe

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DU CHAOS A L’ETRE VIVANT. Lorsque je peins ou dessine, je pars du chaos, je commence à peindre spontanément des éléments simples, formes, lignes, surfaces disposés sans idée préconçue sur la toile. Ces éléments [...]

DU CHAOS A L’ETRE VIVANT

Lorsque je peins ou dessine, je pars du chaos, je commence à peindre spontanément des éléments simples, formes, lignes, surfaces disposés sans idée préconçue sur la toile. Ces éléments s’imbriquent, s’associent et donnent naissance à des formes complexes. Je révèle alors en dessinant sur ce fond : des figures, des membres, des corps, des objets.
Cela crée donc des personnages diversifiés, qui issus du chaos inscrivent leur réalité. C’est un acte spontané, physique et spirituel.

Je m’inscris dans un mouvement artistique : l’INABSTRAIT.

« Inabstrait » consisterait à évoluer librement entre le monde abstrait et le monde figuratif, sans être contraint à rien, ou plutôt en admettant toutes les manières utiles à la réalisation d’une peinture qui serait résolument une « dérive », au sens de la liberté d’expression picturale ; ainsi effaçant, ajoutant, décidant finalement de ce qui est bon de laisser apparaître.

Le mot inabstrait est prononcé la 1ère fois par Hervé Malcom Thomas en 2013, pour définir sa peinture.
En 2021, c’est la rencontre avec Julien Cuny, Jean-Louis Tauvel, Eric Finance, Emmanuelle Henry, Sébastien Montag et Karine RB qui crée le mouvement. 5 peintres, un poète et un photographe se reconnaissent dans un mouvement artistique.
Les INABSTRAITS sont nés.
Pour les inabstraits, il s’agit de proposer quelque chose de nouveau, qui s’abstrait du réel, et qui suggère le vivant.

Sortir des acquis, reformuler le regard.

Il s’agit de casser les liaisons et de les recombiner avec d’autres, pour créer de l’énergie.

Un souffle nouveau, pour libérer la pensée. La pensée est créatrice, elle peux générer plus d’énergie qu’elle n’en consomme.

Appliquer l’inabstraction au monde qui nous entoure,

c’est s’assurer un nouvel élan, global, éloigné de la pensée unique, vers l’esthétisme libre.

La forme comme point de départ.

La liberté comme chemin.

La beauté comme arrivée.

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