Gold and Silver is the Autumn (2024) Painting by Julia Everett

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  • Original Artwork (One Of A Kind) Painting, Oil on Canvas
  • Dimensions Height 15.8in, Width 39.4in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Expressionism Seascape
“Gold and Silver is the Autumn” is a panoramic seascape sunset oil painting 40cm x 100cm (16 x 39.5 inches) on 4cm (1.5 inch) deep canvas. It’s inspired by wild Autumnal Hastings sunsets. The title is from “Milk and Honey” by Sandy Denny. It's painted in shades of blue with orange, yellow and white. The paint has a glossy sheen and is heavily textured [...]
“Gold and Silver is the Autumn” is a panoramic seascape sunset oil painting 40cm x 100cm (16 x 39.5 inches) on 4cm (1.5 inch) deep canvas.

It’s inspired by wild Autumnal Hastings sunsets. The title is from “Milk and Honey” by Sandy Denny.

It's painted in shades of blue with orange, yellow and white. The paint has a glossy sheen and is heavily textured in parts.

The painting continues around the sides of the canvas and it is signed on the back. It is ready to hang and comes with a signed and dated Certificate of Authenticity.

Related themes

Abstract SeascapeSunsetSunset At SeaPanoramic Seascape

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I paint my abstract seascapes from memory rather than life and I want to evoke a sense of place, however abstract the work becomes. My paintings are influenced by the British Coastline, particularly Sussex and [...]

I paint my abstract seascapes from memory rather than life and I want to evoke a sense of place, however abstract the work becomes. My paintings are influenced by the British Coastline, particularly Sussex and Cornwall. Lately, I have been mesmerised by light on the horizon and have painted a series of seascapes depicting this. Some of which have turned out quite simple and abstract, sometimes my paintings turn out to be more figurative. I often paint with my hands and with sponges rather than brushes. I paint with oil on canvas and usually use the paint straight from the tube and mix it on the canvas with my fingers. I love working with pure colour and I am fascinated with light on water at certain times of day. Together with horizons, my work has a recurring theme of time and an exploration of changing light, particularly at sunset. My studio in Hastings has a view of the sea so I can work straight onto the canvas which I feel gives the painting a freshness. I am often instantly inspired by the colours of the sky and the sea from my window so I like to immediately start painting and see where it takes me. I love painting the light on the horizon. Music is integral to my work and I always listen to songs to get me in the zone when painting and feel this has a strong influence on how the painting turns out. For me music triggers memories and feelings and each painting is an emotional response to a sensory experience and an attempt to recapture how it felt to be in a particular place at a certain time. Lately I’ve been listening to a lot of dreamy folk music like Johnny Flynn, Martha Tilston, John Martyn and Sandy Denny. I think this adds an ethereal quality to the paintings and I often get lost in the music and don’t realise where the time goes. I always title my paintings from songs, with lyrics often jumping out at me while I'm painting that seem to fit the artwork perfectly. I feel that a snippet of a song lyric as a title gives the painting extra depth. I have always felt driven to paint and can't imagine doing anything else.

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