Claudi0 B0yd
(engish translation)
An authentic Mr. Nobody. Does painting and writing only in case there’s no other way. Has done life in relaxed spartanity since been born and raised deprived from his most natural rights: dignity, justice, freedom, health care, dwelling, food and work. Has exercised some of his rights to education due to always being one of the best of his class. Thus, considers worthless any pre or posthumous recognition, and categorically rejects any intention of making market value from his plastic art, or seduction tool from his poetics. Will never forget those who had him have anything eatable, a pair of fresh legs or pain releasers. His epitaph will be: “the last one out please leave the lights on”.
Un verdadero Don Nadie. Pinta y escribe sólo cuando no queda más remedio. Ha hecho vida en laxa espartanidad desde que nació y creció privado de sus derechos más naturales: dignidad, justicia, libertad, salud, vivienda, trabajo, alimentación. Logró valer algún derecho a la educación debido a que siempre resultaba en uno de los mejores de su clase. En consecuencia, considera baladí todo reconocimiento pre o póstumo y rechaza categóricamente cualquier pretensión de hacer cosa mercadeable de su plástica, o elemento de seducción de su poética. Jamás olvidará a quienes han puéstole enfrente algo comestible, un par de piernas frescas o un tegumento para el dolor. Tendrá por epitafio: “el último en salir que deje la luz prendida”.
Çağdaş sanat eserlerini Claudi0 B0yd ile keşfedin, en yeni sanat eserlerine göz atın ve çevrimiçi satın alın. Kategoriler: çağdaş venezuelalı sanatçılar. Sanatsal alanlar: Dijital Sanat. Hesap türü: Sanatçı , 2009 üyelik (Menşei ülke Uruguay). Claudi0 B0yd'nin ArtMajeur'daki son çalışmalarını satın al: Claudi0 B0yd: çağdaş sanatçı tarafından çarpıcı eserler keşfedin. , Eserleri göz atın özgün eserler ya da lüks gösterim satın.
Sanatçının değerlendirmesi, Biyografi, Sanatçının stüdyo:
1999-2000 Pre-telescopics • 19 sanat
Hepsini gör2000-01 Early Telescopics • 27 sanat
Hepsini gör2000-01 Medium Telescopics • 30 sanat
Hepsini gör2005 - Reticules - Entramadas • 58 sanat
Hepsini gör2006 - Urban Tatoos • 68 sanat
Hepsini görTanıma
Biyografi
(engish translation)
An authentic Mr. Nobody. Does painting and writing only in case there’s no other way. Has done life in relaxed spartanity since been born and raised deprived from his most natural rights: dignity, justice, freedom, health care, dwelling, food and work. Has exercised some of his rights to education due to always being one of the best of his class. Thus, considers worthless any pre or posthumous recognition, and categorically rejects any intention of making market value from his plastic art, or seduction tool from his poetics. Will never forget those who had him have anything eatable, a pair of fresh legs or pain releasers. His epitaph will be: “the last one out please leave the lights on”.
Un verdadero Don Nadie. Pinta y escribe sólo cuando no queda más remedio. Ha hecho vida en laxa espartanidad desde que nació y creció privado de sus derechos más naturales: dignidad, justicia, libertad, salud, vivienda, trabajo, alimentación. Logró valer algún derecho a la educación debido a que siempre resultaba en uno de los mejores de su clase. En consecuencia, considera baladí todo reconocimiento pre o póstumo y rechaza categóricamente cualquier pretensión de hacer cosa mercadeable de su plástica, o elemento de seducción de su poética. Jamás olvidará a quienes han puéstole enfrente algo comestible, un par de piernas frescas o un tegumento para el dolor. Tendrá por epitafio: “el último en salir que deje la luz prendida”.
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Milliyet:
URUGUAY
- Doğum tarihi : bilinmeyen tarih
- Sanatsal alanlar:
- Gruplar: Çağdaş Uruguaylı Sanatçılar
Devam eden ve Gelecek sanat etkinlikleri
etkiler
Eğitim
Sertifikalı Sanatçı değeri
Başarılar
ArtMajeur kullanıcısının aktiviteleri
Son Haberler
Çağdaş sanatçı Claudi0 B0yd en son haberler
The core will survive
1
The real self is not your mind. That’s why pure visualism will always transcend conceptualism. A nice oil paint landscape will do more than many bizarre performances about protecting our forests.
2
An art relying on explanations has not gone far enough. The observer bravely needs to decypher the signal by its own, in order to break his fear of looking onto the unknown. And this is his half of the job. His contribution to the process of setting himself free. Who needs explanations anyway?
3
Art is rarer than science and science is rarer than technique. Thus, ad justitia honorem, one must start in art, then lead to science and at last, but not least, accomplish technique. Though, all this tends to be done the opposite way.
4
Continent depends on contained. If it looks confident, it might not be wrong. Don’t trust a square coming in a round frame. Contained does not depend on continent because function doesn’t follow any particular form.
5
Truth is automatic. A sure way to see truth is in self regulated processes. More natural is by far truer.
6
You’re beautiful not because you’re you. You’re beautiful just because you’re here.
makale
(engish translation)
An authentic Mr. Nobody. Does painting and writing only in case there’s no other way. Has done life in relaxed spartanity since been born and raised deprived from his most natural rights: dignity, justice, freedom, health care, dwelling, food and work. Has exercised some of his rights to education due to always being one of the best of his class. Thus, considers worthless any pre or posthumous recognition, and categorically rejects any intention of making market value from his plastic art, or seduction tool from his poetics. Will never forget those who had him have anything eatable, a pair of fresh legs or pain releasers. His epitaph will be: “the last one out please leave the lights on”.
Un verdadero Don Nadie. Pinta y escribe sólo cuando no queda más remedio. Ha hecho vida en laxa espartanidad desde que nació y creció privado de sus derechos más naturales: dignidad, justicia, libertad, salud, vivienda, trabajo, alimentación. Logró valer algún derecho a la educación debido a que siempre resultaba en uno de los mejores de su clase. En consecuencia, considera baladí todo reconocimiento pre o póstumo y rechaza categóricamente cualquier pretensión de hacer cosa mercadeable de su plástica, o elemento de seducción de su poética. Jamás olvidará a quienes han puéstole enfrente algo comestible, un par de piernas frescas o un tegumento para el dolor. Tendrá por epitafio: “el último en salir que deje la luz prendida”.
