Claudi0 B0yd
(engish translation)
An authentic Mr. Nobody. Does painting and writing only in case there’s no other way. Has done life in relaxed spartanity since been born and raised deprived from his most natural rights: dignity, justice, freedom, health care, dwelling, food and work. Has exercised some of his rights to education due to always being one of the best of his class. Thus, considers worthless any pre or posthumous recognition, and categorically rejects any intention of making market value from his plastic art, or seduction tool from his poetics. Will never forget those who had him have anything eatable, a pair of fresh legs or pain releasers. His epitaph will be: “the last one out please leave the lights on”.
Un verdadero Don Nadie. Pinta y escribe sólo cuando no queda más remedio. Ha hecho vida en laxa espartanidad desde que nació y creció privado de sus derechos más naturales: dignidad, justicia, libertad, salud, vivienda, trabajo, alimentación. Logró valer algún derecho a la educación debido a que siempre resultaba en uno de los mejores de su clase. En consecuencia, considera baladí todo reconocimiento pre o póstumo y rechaza categóricamente cualquier pretensión de hacer cosa mercadeable de su plástica, o elemento de seducción de su poética. Jamás olvidará a quienes han puéstole enfrente algo comestible, un par de piernas frescas o un tegumento para el dolor. Tendrá por epitafio: “el último en salir que deje la luz prendida”.
Discover contemporary artworks by Claudi0 B0yd, browse recent artworks and buy online. Categories: contemporary venezuelan artists. Artistic domains: Digital Arts. Account type: Artist , member since 2009 (Country of origin Uruguay). Buy Claudi0 B0yd's latest works on ArtMajeur: Discover great art by contemporary artist Claudi0 B0yd. Browse artworks, buy original art or high end prints.
Artist Value, Biography, Artist's studio:
1999-2000 Pre-telescopics • 19 artworks
View all2000-01 Early Telescopics • 27 artworks
View all2000-01 Medium Telescopics • 30 artworks
View all2005 - Reticules - Entramadas • 58 artworks
View all2006 - Urban Tatoos • 68 artworks
View allRecognition
Biography
(engish translation)
An authentic Mr. Nobody. Does painting and writing only in case there’s no other way. Has done life in relaxed spartanity since been born and raised deprived from his most natural rights: dignity, justice, freedom, health care, dwelling, food and work. Has exercised some of his rights to education due to always being one of the best of his class. Thus, considers worthless any pre or posthumous recognition, and categorically rejects any intention of making market value from his plastic art, or seduction tool from his poetics. Will never forget those who had him have anything eatable, a pair of fresh legs or pain releasers. His epitaph will be: “the last one out please leave the lights on”.
Un verdadero Don Nadie. Pinta y escribe sólo cuando no queda más remedio. Ha hecho vida en laxa espartanidad desde que nació y creció privado de sus derechos más naturales: dignidad, justicia, libertad, salud, vivienda, trabajo, alimentación. Logró valer algún derecho a la educación debido a que siempre resultaba en uno de los mejores de su clase. En consecuencia, considera baladí todo reconocimiento pre o póstumo y rechaza categóricamente cualquier pretensión de hacer cosa mercadeable de su plástica, o elemento de seducción de su poética. Jamás olvidará a quienes han puéstole enfrente algo comestible, un par de piernas frescas o un tegumento para el dolor. Tendrá por epitafio: “el último en salir que deje la luz prendida”.
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Nationality:
URUGUAY
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Uruguayan Artists
Ongoing and Upcoming art events
Influences
Education
Artist value certified
Achievements
Activity on ArtMajeur
Latest News
All the latest news from contemporary artist Claudi0 B0yd
The core will survive
1
The real self is not your mind. That’s why pure visualism will always transcend conceptualism. A nice oil paint landscape will do more than many bizarre performances about protecting our forests.
2
An art relying on explanations has not gone far enough. The observer bravely needs to decypher the signal by its own, in order to break his fear of looking onto the unknown. And this is his half of the job. His contribution to the process of setting himself free. Who needs explanations anyway?
3
Art is rarer than science and science is rarer than technique. Thus, ad justitia honorem, one must start in art, then lead to science and at last, but not least, accomplish technique. Though, all this tends to be done the opposite way.
4
Continent depends on contained. If it looks confident, it might not be wrong. Don’t trust a square coming in a round frame. Contained does not depend on continent because function doesn’t follow any particular form.
5
Truth is automatic. A sure way to see truth is in self regulated processes. More natural is by far truer.
6
You’re beautiful not because you’re you. You’re beautiful just because you’re here.
Article
(engish translation)
An authentic Mr. Nobody. Does painting and writing only in case there’s no other way. Has done life in relaxed spartanity since been born and raised deprived from his most natural rights: dignity, justice, freedom, health care, dwelling, food and work. Has exercised some of his rights to education due to always being one of the best of his class. Thus, considers worthless any pre or posthumous recognition, and categorically rejects any intention of making market value from his plastic art, or seduction tool from his poetics. Will never forget those who had him have anything eatable, a pair of fresh legs or pain releasers. His epitaph will be: “the last one out please leave the lights on”.
Un verdadero Don Nadie. Pinta y escribe sólo cuando no queda más remedio. Ha hecho vida en laxa espartanidad desde que nació y creció privado de sus derechos más naturales: dignidad, justicia, libertad, salud, vivienda, trabajo, alimentación. Logró valer algún derecho a la educación debido a que siempre resultaba en uno de los mejores de su clase. En consecuencia, considera baladí todo reconocimiento pre o póstumo y rechaza categóricamente cualquier pretensión de hacer cosa mercadeable de su plástica, o elemento de seducción de su poética. Jamás olvidará a quienes han puéstole enfrente algo comestible, un par de piernas frescas o un tegumento para el dolor. Tendrá por epitafio: “el último en salir que deje la luz prendida”.
