Revealed Truths and Myths IV (2006) Painting by Joyce Owens

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  • Original Artwork Painting,
  • Dimensions Height 20.5in, Width 17in
  • Categories Paintings under $5,000
My idea was to put a black face on a Renaissance painting to illustrate that the white aesthetic originates (and is perpetuated) through art. That if African Americans are not shown in positive visual images, in paintings, photographs and movies, etc. we will not exist in history except as how others choose to represent us. The Renaissance inspired [...]
My idea was to put a black face on a Renaissance painting to illustrate that the white aesthetic originates (and is perpetuated) through art. That if African Americans are not shown in positive visual images, in paintings, photographs and movies, etc. we will not exist in history except as how others choose to represent us.

The Renaissance inspired figure wears an African mask. What if African culture were as revered internationally as European culture and its imagery? Would people of the African Diaspora be acceptedas the standard for beauty?
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Ragdale Fellow Joyce Owens is a painter from Philadelphia, now residing in Chicago, who creates 3-D and 2-D masks/assemblages and paintings. Her award-winning art has been exhibited on four continents, including [...]

Ragdale Fellow Joyce Owens is a painter from Philadelphia, now residing in Chicago, who creates 3-D and 2-D masks/assemblages and paintings. Her award-winning art has been exhibited on four continents, including NATO in Brussels, The African Union, Addis Ababa, Ethiopia; Monrovia, Liberia; Mbabane, Swaziland and in a traveling exhibition, "I American", curated by Sergio Gomez that was shown in a museum in Italy, among other exhibitions, including national exhibitions from coast to coast. Some commissions include: the Blackstone Hotel and the Sofitel Hotel in Chicago, Hyde Park Art Center's "Not Just Another Pretty Face", TV show host/journalist Ed Gordon, and others including a recent portrait of Gwendolyn Brooks for the library named for Brooks at Chicago State University and Dr. Eddie S. Glaude, Princeton Chair of African American Studies.  

Owens has earned two 1st Prizes at Woman Made Gallery in Chicago from artist Faith Ringgold and Margaret Hawkins,  Artnews correspondent. The two competitions had the most submissions in the history of the 25 year old gallery. Owens was awarded 1st Prize at the Museum of Science and Industry's annual Black Creativity art exhibition, among other accolades.

Owens'earned an (MFA) from Yale University in New Haven, Connecticut and BFA, from Howard University in Wash., D.C. Some faculty who influenced her at Yale were Lester Johnson and Bernard Chaet, William Bailey and Al Held as well as musician Willie Ruff. While at Howard University she studied with preeminent African American artists and scholars who influenced her including David Driskell, the late internationally known Lois Mailou Jones, sculptor Ed Love who was Owens’ mentor until his premature death, historian and painter Dr. James Porter and print-maker and painter, James L. Wells. California artist Leo Robinson was an important guide during undergraduate years as was Lloyd McNeill.

Known as a figurative artist deciding the most important work she can do is to address issues around race and gender.

Owens left her position as curator and associate professor at Chicago State University to pursue art full-time. 

See more from Joyce Owens

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