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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1231 px | ||
|
1500 px |
| Dimensions of the file (px) | 1231x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
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Dimensions
25.6x21.7 in
Dimensions of the work alone, without framing: Height 19.7in, Width 15.8in - Framing This artwork is framed
- Categories Paintings under $20,000 Classicism
The painting was done in a single session calledalla prima, and its final result presents a middle ground between a study and a finished work. Priority was given to spontaneity, which is expressed in the brushstrokes present in the background. The free and unfettered way of those brushstrokes reflect and are parallel to the natural aspect of human reactions, such as joy.
This face expresses the serenity and joy of Jesus Christ, shown by the outline of His smile and also by the profound interpenetration of His gaze towards His Father. All of this involves an environment of love that Jesus feels for His Father which He holds in his heart. These are the sentiments that He overflows and that are transmitted into the painting. This joy comes from above, from God who cherishes and accompanies Him under a warm light. Around him, the cold blue seems to indicate that He is alone, but the warm light follows him, comforts him and thus it is His strength. The black background on the lower part of the painting symbolizes the martyrdom through which He will pass in the kingdom of men. Light is His way, the direction of His true life, that is, the Divine kingdom together with His Father.
Related themes
José Pedro Santos is a Portuguese artist and conservator. He studied in Portucalense and Católica Universities in Oporto. Raised in an artistic environment, since childhood he showed some skills in drawing and painting. In 2008, he began to study painting and made some initial works strongly influenced by Surrealism. The need to further develophis craft in painting lead him to learn and explore the classical technique. He cites Portuguese artists Henrique Medina, António Macedo as well as American artists John Singer Sargent, Jacob Collins, Teresa Oaxaca, among others, as major style influences and references. He has participated in solo and group exhibitions, a particular highlight being the 2018 honourable mention attributed in the I International Contest of Contemporary Sacred Art in Braga city. The majority of his commissions are religious paintings, namely : Stations of the Cross and The Baptism of Christ in the Church of Flamengos, Island of Faial; Four Eucharist themes in the Church of São Tiago in Lanhoso, Braga; Saint George slaying the dragon in the city council of Velas, São Jorge Island; main altar painting of the Sistelo Church; a painting to Wawelberg Hotel in Saint Petersburg and a significant part of his work is now part of private collections. He was the invited artist by Regional Directorate for Culture of Azores to the commemoration of the International Council on Monuments and Sites in São Jorge Island. He was the author of the total chromatic restoration of the main altar piece painting of Nuestra Señora de la Asunción and Nuestra Señora del Rosario both attributed to spanish painter Murillo, displayed in the Basilica Cathedral of Santa Maria La Antígua, city of Panamá, World Heritage by Unesco and he was part of the team of conservators responsible for the conservation of the altar pieces which were officially inaugurated by Pope Francis in 2019. He had been producing several art works, which a considered number of them are portraits, working mostly by private commission.
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Nationality:
PORTUGAL
- Date of birth : 1990
- Artistic domains:
- Groups: Contemporary Portuguese Artists
