Masque Chuyachaki 1 (2023) Sculpture by Jorge Rosano Gamboa

Sculpture - Wood, 9.5x8.3 in
$4,337.52
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One of a kind
Certificate of Authenticity included
  • Original Artwork (One Of A Kind) Sculpture, Wood on Wood
  • Dimensions Height 9.5in, Width 8.3in / 2.00 kg
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $5,000 Surrealism Portrait
Masque en bois d'avocat avec yeux en obsidienne et os sacrificiel qui fait office de nez About this artwork: Classification, Techniques & Styles. Wood. Sculpture technique using wood, natural material of plant origin. Surrealism. Founded in 1923 by the writer André Breton, it will unite many artists like Salvador Dali (1904-1989), Max Ernst, René Magritte [...]
Masque en bois d'avocat avec yeux en obsidienne et os sacrificiel qui fait office de nez

Related themes

IdentityReligion & Spirituality

Artist represented by Dix9 Hélène Lacharmoise
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Figure montante de la scène artistique mexicaine, Jorge Rosano Gamboa (Mexique, 1984), est un artiste diplômé de l’École nationale de peinture, sculpture et gravure La Esmeralda au Mexique (2011). Il a obtenu [...]
Figure montante de la scène artistique mexicaine, Jorge Rosano Gamboa (Mexique, 1984), est un artiste diplômé de l’École nationale de peinture, sculpture et gravure La Esmeralda au Mexique (2011). Il a obtenu une maîtrise en critique d’art et production à SOMA (2017). Ses recherches ont été enrichies de plusieurs résidences allant du Mexique à Berlin, Houston et Los Angeles. Il sera au Japon en 2025 avec Casa Wabi. Parmi ses expositions personnelles dans les espaces publics, figure En el-Medio (LaNao, Mexico, 2023), salon ACME Mexico, 2022, Casa Equis, Mexico 2020, Filet Space, Londres 2018, Omaha Nebraska, 2014, MUCA Rome, Mexico, 2013 /Museo Latino. Il a également figuré dans des expositions de groupe au Musée d’Art contemporain, Museo Antiguo Colegio de San Ildefonso, au Musée d’art contemporain de Querétaro, au Centro de la Imagen, Capilla del Arte (Universidad de las Américas Puebla), à Casa Wabi. Il a également participé à la Biennale de photographie au Mexique (Centro de la Imagen, 2016 et 2018). De l'esthétique de la photographie à l'action de la peinture et du dessin, son travail se concentre sur des compositions qui cherchent à repenser la relation entre le moment et sa représentation : les méthodes d'enregistrement et, avant tout, le moment perdu, piégé sous forme d'image. Son œuvre crée des paysages où l'absence devient visible, parce qu'elle est composée d'images qui semblent inachevées car ce ne sont que des traces de souvenirs. Son œuvre n'est qu'un spectre où le spectacle de l'absence est contemplé.

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