En el Estudio G (2024) Painting by Jesus Tejedor

Acrylic on Wood, 32.7x48 in
$2,028.98
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Mounted on Wood Stretcher frame
Autorretratos sin retrato en el estudio, en un estudio exiguo donde el autor no se representa en acción dentro de la obra, (no cabe la perspectiva) solo la mano que pinta sin pintar y el pie que mantiene firmes el soporte, el color y al propio autor. Idas y vueltas, arrepentimientos y certezas, dudas y encuentros inesperados, paisajes introvertidos [...]
Autorretratos sin retrato en el estudio, en un estudio exiguo donde el autor no se representa en acción dentro de la obra, (no cabe la perspectiva) solo la mano que pinta sin pintar y el pie que mantiene firmes el soporte, el color y al propio autor.
Idas y vueltas, arrepentimientos y certezas, dudas y encuentros inesperados, paisajes introvertidos en hexágonos de anacoreta libre. Las ideas son resbaladizas, sólo queda la actitud.

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Jesús Tejedor is a contemporary Spanish artist whose creative philosophy revolves around experimentation and the belief that life itself is an ongoing experiment. He navigates a unique space in the art [...]

Jesús Tejedor is a contemporary Spanish artist whose creative philosophy revolves around experimentation and the belief that life itself is an ongoing experiment. He navigates a unique space in the art world, positioning himself between two opposing forces that reflect one another. For Tejedor, art is not about adhering to a specific idea or ideology, but rather about embracing an attitude and a way of life.

His artistic process begins with an intuition, a primordial idea sparked by the reading of a publication, which he outlines in simple lines that suggest a rhythm, frequency, intensity, and temperature—the foundation of his work. From there, he lets the painting guide him, allowing it to dictate its needs, whether that involves a simple circle, a texture, or a fine line that interacts like a conversation. Throughout this process, Tejedor maintains a certain rigor, documenting his journey. While he is conscious of the object he is creating—be it a painting, sculpture, book, or engraving—he views the process itself as life.

The Artist was highlighted in an article in ArtMajeur Magazine:

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