Le Clown (2025) Painting by Jennifer Bouchouafi

Acrylic on Canvas, 11.8x15.8 in
$460.98
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One of a kind
Artwork signed by the artist
Certificate of Authenticity included
Ready to hang
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Acrylic on Canvas
  • Dimensions Height 11.8in, Width 15.8in
  • Artwork's condition The artwork is in good condition
  • Framing This artwork is not framed
  • Categories Paintings under $500 Abstract Abstract
smart About this artwork: Classification, Techniques & Styles. Acrylic. Paint using traditional pigments mixed with synthetic resins. Technic Painting. Painting is an art form of painting on a surface by aesthetically applying colored fluids. Painters represent a very personal expression on supports such as paper, rock, canvas, wood, bark, glass, concrete [...]
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A l'âge de huit ans, lors d' une visite au musée d'Orsay, j'ai découvert les toiles des grands maîtres qui m ont fascinées. J'ai, par la suite, entrepris des études d'histoire de l'art afin de parfaire mes connaissances. [...]

A l'âge de huit ans, lors d' une visite au musée d'Orsay, j'ai découvert les toiles des grands maîtres  qui m ont fascinées. J'ai, par la suite,  entrepris des études d'histoire de l'art afin de parfaire mes connaissances. Cela a accru mon désir de créer moi-même mes propres œuvres d'art. A part deux tableaux en 2018, je n'ai pourtant commencé à peindre qu'en 2021 les week-ends. J'ai eu des difficultés au début pour peindre des sujets classiques,  je me suis rendu compte que le figuratif ne me convenait pas, ne me donnait pas assez de liberté pour la créativité. Mes inspirations sont variées mais j'aime que mon travail ait un lien avec le monde actuel, que derrière l'abstraction se cache un message, une vérité sur notre époque. Dans mon dernier tableau,  j'ai peint un sanglier. Cela fait écho à la situation des agriculteurs en France, aux panneaux retournés dans plusieurs villes et au sanglier éventré dont la presse a parlé. Les thèmes sur l actualité, la condition humaine prédéfinie et la critique des codes sociaux imprègnent mon travail même s'il m'arrive aussi de peindre des choses beaucoup plus prosaïques.

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