la vieille lionne Sculpture by Vassil

Sculpture - Metals, 13.4x11 in
$9,527.79
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Seller Vassil
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This artwork appears in 47 collections
  • Original Artwork Sculpture, Metals
  • Dimensions Height 13.4in, Width 11in / 15.00 kg
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $20,000 Figurative
La vieille lionne. La vieille lionne avait mené de nombreuses chasses, subi quelques famines, élevé plusieurs portées et surtout souffert des nombreuses guerres de clans. Maintenant elle se méfiait de tout et de tous. About this artwork: Classification, Techniques & Styles. Metals. Sculpture technique using metal, generally malleable, ductile and light-reflecting [...]
La vieille lionne

La vieille lionne avait mené de nombreuses chasses, subi quelques famines, élevé plusieurs portées et surtout souffert des nombreuses guerres de clans.
Maintenant elle se méfiait de tout et de tous..

Related themes

PortraitLionneBronze AnimalierVassil

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Over the years, Vassil has become a reference in animal exhibitions as well as in art fairs, where a growing public appreciates his work. The year 2004 was a turning point in itself, as Vassil received two major [...]

Over the years, Vassil has become a reference in animal exhibitions as well as in art fairs, where a growing public appreciates his work. The year 2004 was a turning point in itself, as Vassil received two major awards for his work: the Sandoz Prize, the highest national recognition for an animal sculptor, and the "Wild in Nature" Public Prize, a prestigious European award.

Vassil was born in 1949 into a modest family in eastern Paris. From a very young age, he became interested in art, particularly painting, which he practiced as soon as he earned enough money to buy materials. This knowledge of painting and drawing is one of the foundations of his art.

He discovered sculpture late in life, in 1991. From the beginning, expressiveness and movement characterized his work. He seeks detail because his work is resolutely figurative. After five years of research, his work becomes more animalistic. The attention paid to movement and expression gives his sculpture an unusual life, noted from the beginning of his career.
The choice of animal sculpture only became definitive when he switched to bronze (1999). One might even think that this change of technique only made sense for his work and his approach to animal art.

Vassil is self-taught, a privilege that undoubtedly prevents him from being confined by an academic straitjacket and gives him more freedom to create.

He considers the animal as a being in its own right, unique, and therefore a true subject for his work in the sense that it is active and feels things. Vassil manages to understand and convey the power of the original emotions common to the great animal family, in which he obviously includes humans; a difficult life, a constant struggle to survive interspersed with a few moments of tenderness, calm or play that he likes to portray.

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