Painting titled "A St Germains des P…" by Jean-Pierre Borderie, Original Artwork, Acrylic

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A St Germains des Près les "Deux Magots" (2010) Painting by Jean-Pierre Borderie

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Dimensions of the file (px)	1500x1085
Use worldwide	Yes
Use on multi-support	Yes
Use on any type of media	Yes
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Original Artwork Painting, Acrylic on Canvas

Artworks classification

Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 31.9in, Width 39.4in
Categories Figurative

Terrasse de café à Paris About this artwork: Classification, Techniques & Styles. Acrylic. Paint using traditional pigments mixed with synthetic resins. Figurative. Figurative and colorful painting having taken the liberty of including all forms of art without border of cultural genre and geographic origin, without hierarchy of values between high [...]

Jean-Pierre Borderie

France

Jean-Pierre Borderie is a contemporary French artist, born in 1952. Formerly a photographer and animator, he collaborated with Laszlo Ruska in the Société Française de Photographie’s [...]

Jean-Pierre Borderie is a contemporary French artist, born in 1952. Formerly a photographer and animator, he collaborated with Laszlo Ruska in the Société Française de Photographie’s section dedicated to photographers of the imaginary.

From the age of 18 to 35, Borderie focused exclusively on photography, which served as the raw medium for his creative pursuits. During this period, his interest in painting began to grow, sparking an exploration of the interplay between photographic and pictorial creation. Photography offered an initial depiction of the object, while painting allowed him to delve deeper into the connection between the visible and the invisible, linking physical forms to abstract thought.

Gradually, painting became central to his artistic expression, with the color palette serving as a powerful tool to explore and convey emotions. Borderie also extended his creative practice to sculpture, treating both mediums as a means of exploration. His work invites viewers to engage as co-creators, discovering elements within the art and interpreting the emotions it evokes.

For Borderie, each painting tells its own story, while the artist retains his personal truth. His artistic philosophy celebrates the dynamic interaction between the artwork and its observer, emphasizing how perception shapes the meaning of his creations.