Ekphanestaton (2020) Painting by Jean-François Ferbos

Seller Jean-François Ferbos

One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 5 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions Height 39.4in, Width 31.5in
  • Framing This artwork is not framed
  • Categories Paintings under $5,000
Ekphanestaton: An apparition of light in its greatest intensity before disappearing by "destroying the vision". With this light fall the rags of appearances to leave room only for a certain truth of what is shown, a truth which is also to be unable to see or know everything. This lack of seeing is also a lack of being constitutive of what engages the [...]
Ekphanestaton: An apparition of light in its greatest intensity before disappearing by "destroying the vision". With this light fall the rags of appearances to leave room only for a certain truth of what is shown, a truth which is also to be unable to see or know everything. This lack of seeing is also a lack of being constitutive of what engages the vital desire. “I come back to beauty. We saw her then, as I have said, shining amidst these visions; having fallen back to earth, we see it, through the most penetrating of all senses, effacing all of its splendor. ". Phaedrus, Plato, 250d-251c
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Jean-François Ferbos is a contemporary award-winning French artist. The "threshold" is a recurrent topic in his works, according to him. It serves as a transitional space for Ferbos between the interior [...]

Jean-François Ferbos is a contemporary award-winning French artist. The "threshold" is a recurrent topic in his works, according to him. It serves as a transitional space for Ferbos between the interior and exterior as well as between the painter and the observer. He primarily uses oils on canvas or linen for his figurative and surrealist paintings.

Jean-François Ferbos was born in 1973, in France. His works have been featured in solo and group exhibitions nationally.


The Artist was highlighted in an article in ArtMajeur Magazine:

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