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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1489 px | ||
|
1500 px |
| Dimensions of the file (px) | 1489x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Oil
on Linen Canvas
- Dimensions Height 19.7in, Width 19.7in
- Framing This artwork is not framed
- Categories Abstract Geometric
I do clean and clear classic abstract geometry in the most classic medium: oil on linen. I maintain the two-dimensional identity of pure abstraction. I am not concerned with light, I render primarily shape and color. I keep away from design and applied arts, whatever I do is fine art. To a certain extent, I am an abstract geometry formalist. I endeavor to unify colors that are wide apart., I just find it interesting and I feel it my challenge.
I keep the image flat, no perspective, no shades – the way classics of the style did. I believe it lets emotions flow unhindered.
I strive to achieve maximum results through minimal means. My art is deeply rooted in the fundamentals of art history. At the same time, I maintain freedom from formal limitations. I prefer to keep my compositions formally simple in order to allow an implicit complexity of meaning to emerge freely.
I do geometric compositions oil on linen. I have a penchant for color harmony. It is color planes relationship, not delineated shape, that is primary in my art.
I do my paintings on stretched gallery wrap linen canvas. There is no need to frame because the edges of all my artworks are painted.
Signed, titled, and dated on the back.
I sign my artworks on the back, to avoid unbalancing the subtle composition by an artifact like a signature.
The picture comes with a certificate of authenticity.
Ready to hang, wired with a steel cord. I provided hanging cords on all four sides of the picture because you may wish to hang it upside down or on the side – geometric abstraction is benign to orientation change.
My paintings are securely packaged to make sure they reach you safely.
Related themes
I am Iskan Ilyazov, artistic alias Iskan. I was born in 1956 and brought up in Tiraspol, Moldova; I lived in Bucharest, Romania; currently I live in Moscow, Russia.
I paint bright and emotional geometric abstractions on canvas that capture and inspire the viewer. Filled with positive energy, my paintings bring harmony, joy, happiness and kindness.
I'm doing everything my own way. My pictures make themselves – from a kind of inexplicable faith in their own star
I generalize and then hone the image, making it expressive. The rest doesn’t interest me. I remove the litter from a figurative representation, I throw out the noise and the background. You can say I boil it down to crystal, touching it up to achieve balance and harmony. In the end, only color and form are left. When I paint an abstraction, I generalize the figurative almost until the image disappears; when it becomes symbolic and bright, when a lot of content has been compressed into it – then it is ready to be transposed to canvas. Then I have to think about nothing except the painterly technique, and even to that I pay little conscious attention, only controlling the quality of what’s coming from under the brush. It all comes from inside. It all happens in my subconscious.
My paintings are part of public and museum collections in Minsk, Moscow, Nuremberg, and Florence; and private collections in Windsor and London; Berlin and Cologne; Minsk and Monaco; Moscow and St. Petersburg; Hollywood and Las Vegas; Cannes, Nice, and Paris.
I am a specialist in Soviet non-conformist art and own a relevant collection. As a scholar and researcher, I focus on the theory and practical studies of color forms in contemporary painting.
My list includes over 100 exhibitions in Berlin, Venice, Cannes, Milan, Minsk, Moscow, Nice, Nuremberg, Paris, Rome, St. Petersburg, and Florence, with over 80 group exhibitions and 20 solo shows.
I am Honored Arts Personality of Russia, academician of two arts academies, professor of visual arts. From 2021 to 2024 I was awarded 18 medals at international creative contests and I won a Grand Prix for graphic art in 2024.
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Nationality:
RUSSIA
- Date of birth : 1956
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Russian Contemporary Artists
