Save and rescue! Original drawing by Irina Sumanenkova (2005) Drawing by Irina Sumanenkova
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 1500 px | ||
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1337 px |
| Dimensions of the file (px) | 1500x1337 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Drawing,
Marker
/
Graphite
on Paper
- Dimensions Height 19.7in, Width 23.6in
- Framing This artwork is not framed
- Categories Impressionism Portrait
My favorite technique for black and white works is a sketch marker, I use 0.05 mm and 0.1 mm in diameter only. This marker draws by pigment ink with alcohol, that`s why it dries almost immediatly.
About working process:
After the idea came, I begin to collect the information, chose elements for a composition, then drawing construction stage begins on paper. My academy drawing education helps me to create human figures for my ideas. Anatomy academic drawing I have learned in University from a Gottfried Bammes anatomy book. In order to portray a facial expression or a movement in a most natural way, I use photographs sometimes, but oftenly it comes from the imagination. I can draw a figure or head in any angle need. When the figures drawing is finished, I add clothes on them, every fold should be on it`s right place and characterize the type of textile.
Next stage is shadow casting, depending on the light source I chose. It can be: centre of the Sun, a bonfire, torch, lamp etc - this source should help me to highlight my main personages. Sometimes shadows can create an unexpected effect need. The finished construction drawing now is ready to be carried on another piece of paper to hachure my drawing with marker.
The hatching process is the most laborious, because my finished work looks like lithography, only it was made by hand directly on paper. Moving the line along, I have to keep in mind what I am hatching now: a face, a hand, a hair, a type of textile (light or heavy fabric), is it a clothes on a figure or just a drapery - in order to depict any surface most naturally.
The main difference between this technique and oil painting is that here I don`t have much opportunity to correct, if something went wrong. Everything should be executed from the first time. It can be only lighten or darken a little in a small spots, that`s all. This is the last stage - to conform the whole work, to harmonize everything in it.
This artwork took me 1.5 months and can be recreated for a customer.
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Irina Sumanenkova is a contemporary Ukrainian artist from Kyiv. Passionate about art from a young age, she believes that everyone has an innate creative side, often expressed through simple acts like picking up a pencil or marker. Irina chose to pursue this creative path, dedicating herself to developing a unique style that blends realism, symbolism, neo-impressionism, and elements of both. Her artwork spans a wide range of subjects, including conceptual pieces, wildlife, and fantasy. Her favorite genres include portraiture, landscapes—particularly mountains—animalistic themes, floristics, and illustration.
Irina holds a Master of Fine Arts degree and studied painting at Kyiv National University of Construction and Architecture. Initially considering herself a graphic artist, focusing on pen and ink on paper, her studies in painting profoundly influenced her artistic vision and became integral to her life. Since graduating, she has illustrated several books and continues to paint. Irina is also a member of the International Academy of Contemporary Art - Artlookone.
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Nationality:
UKRAINE
- Date of birth : 1982
- Artistic domains: Works by artists with a certified artist value,
- Groups: Certified Artists Ukrainian Contemporary Artists
