Ölgemälde "Goldene Herbst" 100cm x70cm x 2cm (2002) Painting by Irene Schlik

Oil on Linen Canvas, 39.4x27.6 in
$1,753.27
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Fine art paper, 8x12 in
One of a kind
Artwork signed by the artist
Certificate of Authenticity included
This artwork appears in 1 collections
  • Original Artwork (One Of A Kind) Painting, Oil on Linen Canvas
  • Dimensions Height 39.4in, Width 27.6in
  • Artwork's condition The artwork is in very good condition
  • Framing This artwork is not framed
  • Categories Paintings under $5,000 Classicism Forest
In diesem Ölgemälde fange ich die berauschende Wärme des Herbstes ein. Die goldenen und roten Blätter flüstern Geschichten von Vergänglichkeit und Schönheit, während die sanft mäandernde Fluss und die idyllischen Holzhäuser eine Einladung zu innerem Frieden und Kontemplation aussprechen. Dieses Stück soll in jedem Zuhause einen Ort der Ruhe und Inspiration [...]
In diesem Ölgemälde fange ich die berauschende Wärme des Herbstes ein. Die goldenen und roten Blätter flüstern Geschichten von Vergänglichkeit und Schönheit, während die sanft mäandernde Fluss und die idyllischen Holzhäuser eine Einladung zu innerem Frieden und Kontemplation aussprechen. Dieses Stück soll in jedem Zuhause einen Ort der Ruhe und Inspiration schaffen, eine tägliche Erinnerung an die stille Pracht der Natur.

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HerbstGelb

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My Biography. I was born in Russia, in the Chelyabinsk region, in the city of Kyshtym. My parents were forced to work as enemies of the people in the Chelyabinsk region after World War II, and that's where I was [...]

My Biography

I was born in Russia, in the Chelyabinsk region, in the city of Kyshtym. My parents were forced to work as enemies of the people in the Chelyabinsk region after World War II, and that's where I was born.

In 1959, my family moved to southern Kazakhstan, where I grew up. I discovered a passion for painting at a very early age. Even as a child, I attended painting and drawing classes alongside school. While studying at the Kazakh Agricultural University, I also studied architecture. The creative challenges I faced there always gave me great pleasure. Even later, as the head of an architectural firm, I was able to pursue my own ideas. I also participated in several private painting courses in Germany. I was particularly interested in structures and collages, which I applied in my work.

After arriving in Germany, I held numerous solo exhibitions.

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