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Delphiniums (2024) Painting by Ilarion Szemerzewski
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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Usage: Web Licence
| 1200 px | ||
|
1500 px |
| Dimensions of the file (px) | 1200x1500 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 35.4in, Width 27.6in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $5,000 Fauvism Landscape
The painting’s composition and rich palette make it a stunning focal point for any room. Whether displayed in a living area, a serene bedroom, or an elegant office, this piece will add a touch of artistic charm to your space. The dynamic interplay of colours and forms makes it a delightful addition to any art collection.
After finishing college, where I had developed a passion for 19th-century fashion, French literature and art history, vintage and antiques, I nonetheless felt lost.
To cope, I turned to painting, starting with gouache, then oil, and finally watercolours. I prefer using old school oil paint and brushes. I do not use acrylic colours, because, although they are rich, they dry out rapidly, whereas typically, I work slowly and need to take the happening on the canvas under control. Konstantin Korovin taught us that one should start a painting with the darkest spot to achieve a rich, vibrant colour palette⸺and I do.
My work focuses on colour’s emotional impact, using small contrasting strokes to capture the world’s complexity. It’s a balance between chaotic vibrancy and structured design—like a crystal chandelier, dazzling yet ordered. In a world overflowing with information, I cherish the details: sun glints, subtle nuances, the smallest metamorphosis. It is my personal act of defiance against the conventional, a refusal to surrender to the despair that life so readily presents.
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Nationality:
MOLDOVA
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Moldovan Artists
