"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
This work is an "Open Edition"
Digital Arts,
Giclée Print / Digital Print
- Dimensions Several sizes available
- Several supports available (Fine art paper, Metal Print, Canvas Print)
- Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
- Artwork's condition The artwork is in very good condition
- Categories Digital Arts under $500 Expressionism Mountainscape
Related themes
Born in Paris in the late fifties, Hénohut de Zhery has early begun drawing and painting before starting a career in banking where he has had the chance to specialize for a while in shipping. Hénohut (pronounce N-O-UUH) has lived on the Italian and French Riviera where he settled thirty years ago.
He has a wonderful wife and two children who have already left the family nest. He is a keen yachtsman who has sailed and raced in the Mediterranean and on both sides of the Atlantic.
He has almost read everything available about sea, ships and sailors and has a real respect for sea people, their wisdom and humility. He likes any kind of boat, from navy ship to old harbour tug but remains fascinated by sail power. Hénohut has also a passion for History despite the fact it was mainly written… onshore! He also likes Nineteenth Century and Belle Epoque architecture, old stones, and warm interiors. The values he appreciates at his contemporaries are ethics, curiosity, originality and humour.
In the early nineties, he resumed drawing and painting using different techniques from pencil and watercolors to a mix of digital works where he likes to “dig” the sea on his own snapshots before adding on some more conventional brush and charcoal works. Beside the Marine themes, he also paints landscapes, interiors and nudes. Asked about his favourite Marine artists he replied they are uncountable although William Turner, Léon Haffner, Marin Marie, Auguste Mayer, Carl Locher and most of the Impressionists would definitely be in his shortlist.
When drawing boats, he tries to respect the "physics" of what he observed while sailing, that is the coherence between the wind, the sea, the light and the sails.
Many of his friends told Hénohut he ought to sell part of his collection which begins to be respectable.
And so it is....!
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Nationality:
FRANCE
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary French Artists
