"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine printsPurchase a license to use this image for your website, communications or to sell merchandise.
Usage: Web Licence
| 1500 px | ||
|
1034 px |
| Dimensions of the file (px) | 1500x1034 |
| Use worldwide | Yes |
| Use on multi-support | Yes |
| Use on any type of media | Yes |
| Right of reselling | No |
| Max number of prints | 0 (Zero) |
| Products intended for sale | No |
Download immediately upon purchase
This image is available for download with a licence: you can download them at anytime.
Restrictions
All images on ArtMajeur are original works of art created by artists, all rights are strictly reserved. The acquisition of a license gives the right to use or exploit the image under the terms of the license. It is possible to make minor modifications such as reframing, or refocusing the image so that it fits perfectly to a project, however, it is forbidden to make any modification that would be likely to harm the original work In its integrity (modification of shapes, distortions, cutting, change of colors, addition of elements etc ...), unless a written authorization is obtained beforehand from the artist.
Custom licences
If your usage is not covered by our standard licences, please contact us for a custom licence.
Art image bank-
Original Artwork (One Of A Kind)
Painting,
Oil
on Linen Canvas
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Dimensions
29.1x40.9 in
Dimensions of the work alone, without framing: Height 27.6in, Width 39.4in - Artwork's condition The artwork is in perfect condition
- Framing This artwork is framed
- Categories Paintings under $5,000 Land Art
Upon its completion, Time called Fallingwater Wright's "most beautiful work" and it is included in Smithsonian's "Life List of 28 Places to See Before You Die." The house was designated a National Historic Landmark on May 11, 1976. In 1991, members of the American Institute of Architects called Fallingwater the "greatest work of American architecture of all time."
The house and seven other Wright structures were inscribed as a World Heritage Site in 2019.
Related themes
I was born in Voorburg (Netherlands) and live in Rotterdam. My interest in drawing and painting started at secondary school in Tilburg. Spatial mathematics (stereometry) really appealed to me. I also took drawing lessons there from a well-known painter, Jan Asselbergs. He thought I should go to art school, but because of the poor job market prospects I didn't do that at the time. I actually wanted to become an architect myself, but I worked as a lawyer. Nevertheless, my interest in (spatial) drawing and painting remained and I have picked up that thread again carefully, in addition to my work. I took painting lessons at the Stichting Kunstzinnige Vorming in Rotterdam (SKVR) in acrylic, watercolor and oil painting. Later I started specializing in oil painting. In line with my previous interest in architecture, I focused on industrial and cultural heritage. An inexhaustible theme.
In my work I have been influenced by artists such as Pieter Saenredam, M.C. Esscher and Hopper and the architecture of Frank Lloyd Wright, among others.
I have been making my oil paintings since 2013 in my studio at Vest 69 in Gouda. The source of inspiration for my paintings are abandoned and often dilapidated industrial buildings, which I usually capture just before demolition or renovation through sketches and photos. In addition to industrial heritage, I also paint cultural heritage: well-maintained or restored buildings with a cultural value.
I want to make my paintings a special experience through the use of color and light. Dark desolation has to make way for light and warmth. I regularly add characters to the heritage that give the image a different or extra meaning. Some paintings contain a "hidden message" or a reference to current events.
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Nationality:
NETHERLANDS
- Date of birth : 1947
- Artistic domains:
- Groups: Contemporary Dutch Artists
