No. 130 (2023) Sculpture by H.C. Rainer Buechner

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  • Original Artwork (One Of A Kind) Sculpture, Metals on Metal
  • Dimensions Height 63in, Width 7.9in / 10.00 kg
  • Artwork's condition The artwork is in perfect condition
  • Fit for outdoor? Yes, This artwork can be displayed outdoor
  • Categories Abstract Geometric
Sculpure en acier avec résine époxy et pigments. La résine spéciale protège les pigments des rayons UV et est imperméable, mais ne doit pas être exposée directement au soleil de midi. Peut également être placé à l'extérieur en été, mais doit être protégé des fortes pluies et des tempêtes et rentré à l'intérieur en hiver. Les couleurs changent visuellement [...]
Sculpure en acier avec résine époxy et pigments.
La résine spéciale protège les pigments des rayons UV et est imperméable, mais ne doit pas être exposée directement au soleil de midi. Peut également être placé à l'extérieur en été, mais doit être protégé des fortes pluies et des tempêtes et rentré à l'intérieur en hiver. Les couleurs changent visuellement en fonction de l'incidence de la lumière.
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Related themes

SculptureAcierExterrieurCouleurOrnamental

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My interest in artistic expression manifested itself since childhood. This was not always a source of joy for my parents. When retarring the street in front of our house in Berlin (West), one evening after the [...]

My interest in artistic expression manifested itself since childhood. This was not always a source of joy for my parents. When retarring the street in front of our house in Berlin (West), one evening after the workers had left, I found some very interesting pieces of tar, very hard and reminiscent of black glass. How could I shape something with it? Of course, I observed that the tar became soft from the heat. So before going to bed, I put one on the radiator in my room. In the morning there was a strong smell and the radiator ribs were black. I still have to admire my parents' controlled reaction. They bought me some clay.
I also drew and painted a lot, but my parents avoided “congratulating” me for it. I am grateful to them because praise is a trap, it makes you dependent.
When I was 15, we left Berlin and moved to Bavaria. At 19, I left our small town to settle in Munich.
A professor from the Academy of Fine Arts included me in his class. I remember a classic question: “Which artist is your model?” » With youthful modesty, I replied: “Leonardo da Vinci! "And why?". “Because He not only painted but was interested in EVERYTHING! »
This also explains why I finally gave up on a purely artistic career. It seemed too narrow to me, I wanted to learn, to know and to do more.
So I studied artistic education, which is combined with internships in workshops of all kinds including art history.
Everything fascinated me and I couldn't learn and work hard enough.
I also really enjoyed working with children and young people at high school in Bavaria and for 4 years in Milan.
Then, I was called to the “Teacher Training Academy” and I organized courses there for art teachers in order to give them new ideas: meetings and work with artists of all stripes, sculptors , painters, but also computer scientists, and art history trips from Paris to Rome.
At the same time, I was a representative of “German Artistic Education” at the Pan-European Congresses from Helsinki to Athens.
Despite all these tasks, I never stopped drawing, painting and making sculptures myself, but it was always clear to me that my work as an artist, only as an artist, was still ahead of me .
It's been 10 years now that I've had the opportunity to do this. It was also a path, an evolution, as is the case for many artists. New ideas, new shapes, new sculptures emerge little by little and wait to be materialized.

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