Seller Gwendoline Pieters
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Original Artwork (One Of A Kind)
Painting,
Oil
- Dimensions Height 47.2in, Width 47.2in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Figurative Seascape
Le Cap Canaille, imposant et majestueux, domine la composition. Ses falaises abruptes, teintées de rouge et d'ocre, se dressent fièrement contre le ciel bleu clair. Les strates géologiques sont finement détaillées, révélant les couches de roche sédimentaire qui forment cette formation impressionnante. Les couleurs chaudes des falaises contrastent harmonieusement avec les nuances plus fraîches de la mer et du ciel.
En contrebas, les calanques s'ouvrent sur des criques aux eaux turquoise et cristallines. Les rochers calcaires blancs et gris se détachent nettement, formant des contours irréguliers et accidentés qui plongent directement dans la mer. La végétation méditerranéenne ajoute des touches de vert vif à cette scène ensoleillée.
La mer, calme et sereine, reflète les couleurs du ciel et des falaises, créant une symphonie de bleus et de verts.
Le ciel est d'un bleu éclatant, parsemé de quelques nuages blancs légers, témoignant d'une journée d'été parfaite. La lumière du soleil, haute dans le ciel, inonde la scène de chaleur et de clarté, accentuant les ombres et les reflets.
Dans l'ensemble, cette peinture capture non seulement la grandeur naturelle du Cap Canaille et des calanques, mais aussi l'atmosphère lumineuse et paisible de l'été méditerranéen. Elle invite le spectateur à se perdre dans la beauté et la sérénité de ce paysage côtier unique.
Related themes
Born on September 11, 1969 in the south from France, in Provence. Its first name is additional. A short glance thrown on one of its fabrics is enough has to draw up its chart d' artistic identity. Pieters is a woman of North to the dreams of the south. The fabrics of Gwendoline Pieters reveal with force, the femininity of landscapes too many time monopolized by male brushes. Nothing again under the sun Blackcurrant, nothing of nine on the of the department of Var coasts nor in this Mediterranean countryside, this south without real space limits, evoked by Derain, Camoin, Matisse, Van gogh… Nothing again, if this n' is the small valley of Auffes, this small channel hidden in the heart of Marseilles and that of Gwendoline Pieters. Nothing again, if this n' is this roundness, this softness, these forms foolish which tear the reality of the south, deform it to substitute a truth to him that of Pieters. This artist ensures d' a soft voice which the women have of the more flexible articulations. D' where a writing fuller, rounder, softer, a layout of more sinuous brush. Thus this painting carried by the dashes of Gynécée, this female fury that l' artist n' express with vehemence qu' through its fabrics. Flirtant with surrealism, playing with the limits of l' impressionism, the painting of Gwendoline PIETERS plays with the fauvism. The colors, sharp, are based in l' amplitude of the forms, hang, and allure. Through its colors, Pieters moults its softness in aggressiveness. Then, frays with the arabesques overflowing, these conquering colors pacify, attenuate their violence, to generate an original work. Old d' forty d' years, this artist lives in Cassis, where she dreams and paints at the seaside, exposing through France and l' Europe. Its name with the accents wisigothic goes back to several generations. D' access attracted by the fashion, it realizes quickly that its artistic freedom is at the end of its brushes. She forsakes the fashion and paints the world on fabrics or the life s' slack sinuous colors.
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Nationality:
FRANCE
- Date of birth : 1969
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary French Artists
