The Whisper of the Walls (2024) Digital Arts by Gustavo Castillo

Fine art paper, 7x12 in

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  1500 px  

937 px
Dimensions of the file (px) 1500x937
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Art image bank
  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Pop Art Graffiti
In the dark and forgotten alley of the city, when the full moon was shining overhead, something extraordinary happened: with an electric crackle, the lines and shapes of a crumbling wall began to move, peeling off, as if they were liquid. A graffiti began to breathe. It slid across the ground, acquiring a grotesque shape and an insatiable voracity. [...]
In the dark and forgotten alley of the city, when the full moon was shining overhead, something extraordinary happened: with an electric crackle, the lines and shapes of a crumbling wall began to move, peeling off, as if they were liquid. A graffiti began to breathe. It slid across the ground, acquiring a grotesque shape and an insatiable voracity. As it moved down the alley, the graffiti devoured everything in its path: wooden benches, lampposts, and even the people in its path. Its hunger was insatiable, and its appetite for destruction seemed unstoppable. Soon, news of the living graffiti spread through the city, spreading panic among the inhabitants. People avoided the alley at all costs, fearing they would be the next victim of the painted monster. The city became silent, the neighborhoods that used to stand as a monument to despair and abandonment are now thriving; it is said that justice is no longer blind and that the law lies in the corners, in the colors, in the art...

Related themes

Pop ArtGraffitiStreet ArtUrbanContemporary Art

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Oglinda, es un "bioatista" con formación en ingeniería en audio e ingeniería molecular. Su obra hibrida elementos orgánicos con tecnología, desde microorganismos hasta tejidos vivos, arte plástico y arte digital, [...]

Oglinda, es un "bioatista" con formación en ingeniería en audio e ingeniería molecular. Su obra hibrida elementos orgánicos con tecnología, desde microorganismos hasta tejidos vivos, arte plástico y arte digital, de modo que sus desarrollos lo han llevado a colaborar con la misión espacial ARTEMIS y el proyecto Moongallery Project, exhibiendo su escultura en la Estación Espacial Internacional y será el primer artista mexicano en exponer en la Luna. 

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