Urban Testaments: Stories in Spray Paint (2024) Digital Arts by Gustavo Castillo

Fine art paper, 12x7 in

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  • This work is an "Open Edition" Digital Arts, Giclée Print / Digital Print
  • Dimensions Several sizes available
  • Several supports available (Fine art paper, Metal Print, Canvas Print)
  • Framing Framing available (Floating Frame + Under Glass, Frame + Under Acrylic Glass)
  • Artwork's condition The artwork is in perfect condition
  • Categories Pop Art Graffiti
In a world ravaged by the ravages of climate change, cities lie in ruins, reminders of a once-prosperous past now lost in the shadows of time. Amidst the debris and desolation, murals and graffiti emerge as silent witnesses to the tragedy that has befallen the Earth. In an abandoned city, weathered walls serve as canvases to express the hopes and hardships [...]
In a world ravaged by the ravages of climate change, cities lie in ruins, reminders of a once-prosperous past now lost in the shadows of time. Amidst the debris and desolation, murals and graffiti emerge as silent witnesses to the tragedy that has befallen the Earth.

In an abandoned city, weathered walls serve as canvases to express the hopes and hardships of the survivors. A particularly poignant mural depicts a mother embracing her child as they gaze upon the horizon ravaged by fires and floods. The tears in their eyes reflect the pain and loss they have endured, but also the determination to press on in a inhospitable world.

Elsewhere, a vibrant graffiti portrays a masked figure battling against a storm of lightning and acid rain. Their defiant stance and eyes filled with determination convey a message of resistance and hope amidst adversity. Passersby on these desolate streets find solace and motivation in these visual representations of human struggle for survival.

As the days pass and the scars of the past slowly fade away, the murals and graffiti continue to tell the story of a fractured world.

Related themes

GraffitiPop ArtStreet ArtContemporary Art

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Oglinda, es un "bioatista" con formación en ingeniería en audio e ingeniería molecular. Su obra hibrida elementos orgánicos con tecnología, desde microorganismos hasta tejidos vivos, arte plástico y arte digital, [...]

Oglinda, es un "bioatista" con formación en ingeniería en audio e ingeniería molecular. Su obra hibrida elementos orgánicos con tecnología, desde microorganismos hasta tejidos vivos, arte plástico y arte digital, de modo que sus desarrollos lo han llevado a colaborar con la misión espacial ARTEMIS y el proyecto Moongallery Project, exhibiendo su escultura en la Estación Espacial Internacional y será el primer artista mexicano en exponer en la Luna. 

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