La prévalence de la vie 3 (2023) Sculpture by Guillaume Werle

Sculpture - Plaster, 82.7x33.5 in
$14,669.36
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Ready to hang
Mounted on Aluminium
  • Original Artwork (One Of A Kind) Sculpture, Plaster on Aluminium
  • Dimensions Height 82.7in, Width 33.5in / 90.00 kg
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is not framed
  • Fit for outdoor? No, This artwork can not be displayed outdoor
  • Categories Sculptures under $20,000 Figurative Female nudes
La prévalence de la vie 3 est un bas relief en plâtre, pièce unique, crée à l’occasion de l’exposition « Empreintes-Enveloppes, la prévalence de la vie » à l’Orangerie du Sénat en juillet août 2023. Cette sculpture met en œuvre les techniques du plâtre permettant de donner une apparence liquide à la surface qui reçoit les deux personnages féminins [...]
La prévalence de la vie 3 est un bas relief en plâtre, pièce unique, crée à l’occasion de l’exposition « Empreintes-Enveloppes, la prévalence de la vie » à l’Orangerie du Sénat en juillet août 2023.
Cette sculpture met en œuvre les techniques du plâtre permettant de donner une apparence liquide à la surface qui reçoit les deux personnages féminins qui semblent s’en extraire. On retrouve dans cette œuvre les directions de travail et d’expression des séries Empreintes Enveloppes, à savoir, la fragilité de la vie figurée par le personnage féminin, porteur de vie. Cette fragilité s’exprime par l’utilisation du plâtre sous une forme apparente de coquille d’œuf ( encore un symbole). La surface qui semble aqueuse nous rappelle les origines de la vie elles mêmes.
Le tout est réalisé selon un protocole le plus respectueux de l’environnement avec un matériaux, le plâtre, recyclable et produit en cordait court par une entreprise française en France.

Related themes

Empreintes EnveloppesPlâtrePiece UniqueRecyclableÉcorespôsable

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Guillaume Werle is a contemporary American-Belgian sculptor who works in Montrouge, where he has had his studio since 1995. His artistic activity is structured around four distinct axes: research, creation, production [...]

Guillaume Werle is a contemporary American-Belgian sculptor who works in Montrouge, where he has had his studio since 1995. His artistic activity is structured around four distinct axes: research, creation, production and artistic mediation, without mixing them.

Guillaume Werle's work reflects a deep reflection on the place of man in the world. He draws on techniques such as classical modeling from live models, taking prints and partial or complete reproduction in plaster, while exploring the possibilities offered by these processes.

Guillaume Werle regularly participates in group and individual exhibitions, where he presents works designed to interact with different spaces. In the past, he has exhibited at the Chapelle de Bury and the Orangerie du Sénat, places that have highlighted his interest in the interaction between art and architecture.

His career has also been marked by several public commissions, such as À Coluche, Le Jeune Homme à la Flûte, À de Funès and the George Messier Medallion . His collaborations with renowned artists such as Louis Cane, André Barelier and Antoine Poncet have enriched his artistic approach and nourished his evolution in the field of sculpture.

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