HOMMES EN BÔITES - Bleu #3 (2021) Tablo Gregory Evans tarafından

Tuval tarihinde Petrol, 19,7x19,7 in
$1.209,48
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Ahşap panel üzerine monte edilmiş
  • Orijinal sanat (One Of A Kind) Tablo, Tuval tarihinde Petrol
  • boyutlar 23,8x23,8 in
    İşin boyutları çerçevesiz: Yükseklik 19,7in, Genişlik 19,7in
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At the end of October of 2020, France went into its second period of lockdown due to Coronavirus. By this time we were no strangers to the unexpected, so it was no surprise that the idea of this series came about. I had just finished my first six paintings since taking up the use of oil paints and was ready for something new, and here it was. No matter [...]
At the end of October of 2020, France went into its second period of lockdown due to Coronavirus. By this time we were no strangers to the unexpected, so it was no surprise that the idea of this series came about. I had just finished my first six paintings since taking up the use of oil paints and was ready for something new, and here it was. No matter our age, color, sex, political or religious preferences, we had all endured this “enclosure” earlier in the same year – one and the same, there was no discrimination in this adventure. The realities of governed life indeed showed us the prison that can so easily be created by a sneeze. The choice of politicians and media to propagate the term “lockdown” was no coincidence – this was a jail we found ourselves in. This event, our second confinement, our being put into those proverbial, metaphoric boxes, was the incentive I needed to justify ordering a dozen tubes of paint.

The interesting thing about boxes is that even without those executive, political directives that insisted we take our places in such boxes, we already existed in boxes of our own design. These boxes are created by our beliefs, and by our own limiting choices. The lesson in these boxes lay in the fact that however we perceive them, we are still free to choose how this boxes appear to us, how they feel to us, how big or small they seem to be, and what we allow ourselves to do in them. It is our choice how beautiful and thrilling our boxes can be, and our choice to be self-responsible

Painted with oil paints on canvas mounted to wood panel. Additive and subtractive methods were used with the paints Typically, brushes, knives, sandpaper, cotton batons and toothpicks and fingers were the tools. The paintings are finished with artist's cold-wax, and each painting measures 50 x 50 centimeters.
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Born in 1957 in Wimpole Park, Cambridgeshire, England, Gregory was raised in the wild and savage streets of the 1960s and 1970s in the beach communities of Santa Monica and Venice in Los Angeles, participating [...]

Born in 1957 in Wimpole Park, Cambridgeshire, England, Gregory was raised in the wild and savage streets of the 1960s and 1970s in the beach communities of Santa Monica and Venice in Los Angeles, participating in the hippie, surfing, skateboarding, and punk revolutions of the time, all of which left an indelible mark on him for life . He currently lives and works in Mayenne, France. His work is owned and exhibited by private collectors in America, Holland, France, Italy, England and Scotland. The artist graduated in graphic design and found his way into the world of fine arts where he is self-taught.

In the artist's words -

I’m fascinated by life, and in particular by human behavior – for me, its all about relationship. I’m always amazed how we, as people, interact with what is around us, our response to the stimuli of the world, whether negative or positive. I tend towards storytelling, displaying the relationships we have in relation to where we are in our lives, how we’re placed in our environments. This allows me to explore both the concrete and the abstract. My research explores our stories, the myths of humanity, in a simple and direct way, without judgment, so that we can better understand ourselves and our world better.

I’m seduced by a blank canvas quickly and easily, accepting that provocation deliberately and with a fiercely planned spontaneity. I see the blank canvas as the void itself, an abyss of potential, knowing that all things and anything can appear in what is essentially just a mirror of one’s self. Some would say this emptiness, this void, is intimidating — to be staring at a nothingness that will soon be filled by the unknown is a heavy burden if taken too seriously, but for me, it is a priceless thing, its a brilliance that shines in a way that nothing else can. I thrill to the challenge of aiding those abstract concepts through into the realm of the concrete.

My work is enigmatically lyrical, cryptic, sometimes sinster and always, always playful. I push and probe without forcing things – my goal is to pay homage to our human condition in its joy and vigor, its madness and fragility, its purity and its corruption, in all its problems and all its solutions.

I use a variety of mediums and supports, although my main work is done in oil on canvas in all formats – small to medium, large to extra-large, and I always have multiples going at one time, up to a dozen or so. My colors and approach are bold and challenging, only slightly guided by laws which are much more flexible than most would consider.

Gregory Evans daha fazla sanat çalışmalarını gör !

Tüm sanat çalışmalarını gör
"Variations of an An…" başlıklı Baskıresim Gregory Evans tarafından, Orijinal sanat, Monotip Karton üzerine monte edilmiş
Kâğıt tarihinde Baskıresim | 11,7x8,3 in
$335,04
"Variations of an An…" başlıklı Baskıresim Gregory Evans tarafından, Orijinal sanat, Monotip Karton üzerine monte edilmiş
Kâğıt tarihinde Baskıresim | 11,7x8,3 in
$335,04
"Variations of an An…" başlıklı Baskıresim Gregory Evans tarafından, Orijinal sanat, Monotip Karton üzerine monte edilmiş
Kâğıt tarihinde Baskıresim | 11,7x8,3 in
$335,04
"Variations of an An…" başlıklı Baskıresim Gregory Evans tarafından, Orijinal sanat, Monotip Karton üzerine monte edilmiş
Kâğıt tarihinde Baskıresim | 11,7x8,3 in
$335,04

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