" Munchausen " - Série BICMAN 3 (2019) Drawing by Grégory Dreyfus
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine prints-
Original Artwork (One Of A Kind)
Drawing,
Ballpoint pen
on Paper
- Dimensions Height 5.9in, Width 3.9in
- Framing This artwork is framed (Floating Frame + Under Glass)
- Categories Drawings under $500 Surrealism
A dev
Monocle et moustaches rebiquante, bouc,
tricorne.
...
Les aventures du baron de Munchausen, officier allemand (1720-1799) réputé pour son humour et sa générosité.
L'écrivain, Eric Raspe, s’est inspiré de ce personnage pour créer un héros insensé aux drôles d'aventures mensongères (Fenelon, 1898).
Asher (Asher, en 1951) décrivait le syndrome de Munchausen reposant sur :
-des troubles factices conduisant à des investigations et à des traitements inutiles et/ou préjudiciables (souvent à caractère urgent et aigu) ;
-une errance, des pérégrinations d’hôpital en hôpital ;
-des fabulations pénétrant l’ensemble de la biographie du sujet.
Meadow (Meadow, en 1982) en présentait une constellation particulière, à savoir :
-le syndrome de Munchausen par procuration.
Ici, le trouble factice ne concerne plus le sujet lui-même ; il est construit à partir et à propos d’un tiers, le plus souvent un mineur.
Ainsi, d’après cet auteur, le parent qui allègue ou produit la maladie chez l’enfant semble être à la recherche d’une reconnaissance, à partir de l’interaction avec le monde soignant, centrée sur l’enfant.
En 1987, Rosenberg propose de rassembler les critères du Munchausen par procuration :
-une maladie simulée et/ou produite délibérément par un parent sur son enfant ;
-une investigation médicale répétée et intention d’une reconnaissance ;
-un déni du parent quant à l’origine des symptômes ;
-un amendement de la symptomatologie présentée par l’enfant lorsqu’il est séparé du parent concerné.
Indices références :
de Becker, E. (2006). Le syndrome de Munchausen par procuration : état de la question. Enfances & Psy, no 31(2), p134-147.
Related themes
Série BicmanGrégory DreyfusFrench Transversal ArtistLa BocataSyndrome De Munchausen
Grégory Dreyfus decided very early on to become a painter. The obvious, an artist, but not only... An actor, an author, a director, a director, a photographer... A sort of family atavism which was to be gloriously balanced in art, by the action of one as by the action of the other. Dancer, mime, designer and singer were, however, his first living expressions.
After 4 years spent studying art and design at the JULIAN Academy and the school of graphic art and interior architecture, “Met de Penninghen” in Paris. And after having been the apprentice of one of the last great alchemists of oil painting. Or ambitious for having been approached, the Magnum photo agency in NY as photographer. ...Meeting masters, maintaining exchanges with great artists. Passionate about the History of ideas, self-knowledge... - A pronounced taste for Asia. But living in particular in London, Paris, NY and Taipei - He never stopped working to develop his creation, linking their very actions in all aspects.
Drawing, painting, playing, dancing, framing, installing... launching into transversal work, as an actor on all forms of theater stages as well as film sets - author, director - director... and visual artist. Thus nourishing each “act” of creation from one to the other, he jointly amplified this creativity.
...At the same time, he embraced the world and industries of advertising, music, theater and cinema at different levels of creativity and responsibility.
...Leading like a weaving, this multi-body work with a thread of happy subsistence, in a life of perpetual advancement. ...Linking very often, always developing, constantly projecting, in the transversal perspective, this long-term "movement".
Today, he leads all the battles head-on in the balance of an almost musical dialogue...And in short! ...To simply make a work.
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Nationality:
FRANCE
- Date of birth : unknown date
- Artistic domains: Works by artists with a certified artist value, Works by professional artists,
- Groups: Certified Artists Professional Artist Contemporary French Artists
