AUDREY HEPBURN - I BELIEVE IN PINK SERIES NO:2 (2020) Painting by Göknil Gümüş Sungurtekin

Oil on MDF Board, 23.6x31.5 in
$7,466
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Fine art paper, 8x11 in

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This artwork is framed
Mounted on Wood Panel
This artwork appears in 3 collections
  • Original Artwork (One Of A Kind) Painting, Oil on MDF Board
  • Dimensions 24.8x32.7 in
    Dimensions of the work alone, without framing: Height 23.6in, Width 31.5in
  • Artwork's condition The artwork is in perfect condition
  • Framing This artwork is framed (Frame + Under Glass)
  • Categories Paintings under $20,000 Expressionism Celebrity Portraits
“I believe in pink. I believe laughing is the best calorie burner. I believe in kissing, kissing a lot. I believe in being strong when everything seems to be going wrong. I believe that happy girls are the prettiest girls. I believe tomorrow is another day, and I believe in miracles.” - Audrey Hepburn. In this vibrant homage to Audrey Hepburn’s timeless [...]
“I believe in pink. I believe laughing is the best calorie burner. I believe in kissing, kissing a lot. I believe in being strong when everything seems to be going wrong. I believe that happy girls are the prettiest girls. I believe tomorrow is another day, and I believe in miracles.” - Audrey Hepburn

In this vibrant homage to Audrey Hepburn’s timeless philosophy, Göknil Gümüş Sungurtekin merges expressive color with a childlike sense of wonder to capture the purest emotions of hope, beauty, and strength. Drawing inspiration from Hepburn’s iconic quote, the artist explores how innocence and optimism can light up our everyday reality, much like a child seeing the world for the first time.

Sungurtekin’s distinctive artistic style is evident in every brushstroke. She developed a unique oil painting technique on paper, carefully layered and sealed under Plexiglas to achieve an alluring depth and luminosity. This innovative approach fuses elements of pop art and figurative expression, creating a mesmerizing contrast between bold hues and delicate forms. The result is a lively composition that radiates positivity—an invitation for viewers to embrace life’s miracles, just as Audrey Hepburn believed.

Each layer reflects the artist’s personal journey, revealing her fascination with capturing fleeting moments of joy and tenderness. As a Turkish contemporary artist, Sungurtekin’s cross-cultural influences also shine through, adding a fresh global perspective to this tribute piece.

This artwork is perfect for art collectors, interior designers, and Audrey Hepburn admirers seeking a statement piece that blends modern portraiture, expressive abstraction, and a timeless message of hope. Display it in your home or workspace to inspire conversation, uplift moods, and celebrate the enduring power of optimism.

Discover this collectible masterpiece on Saatchi Art and bring home a touch of Audrey Hepburn’s radiant spirit!

Related themes

Famous Contemporary ArtistFamous Turkish PainterDe Célèbres TableauxCélèbre Peintre TurcHollywood Artist

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Göknil Gümüş Sungurtekin. Pioneer of Conceptual Essence Narrative Expressionism (CENE) • Contemporary Turkish Master Artist. Grand Artist Award Winner • First Turkish Female Naval Painter • MA in Painting – Marmara [...]

Göknil Gümüş Sungurtekin
Pioneer of Conceptual Essence Narrative Expressionism (CENE) • Contemporary Turkish Master Artist
Grand Artist Award Winner • First Turkish Female Naval Painter • MA in Painting – Marmara University

Göknil Gümüş Sungurtekin (b. 1977, Turkey) is an internationally acclaimed contemporary artist and the pioneer of Conceptual Essence Narrative Expressionism (CENE) — a unique artistic language that merges intuition, emotion, memory, and metaphysical insight into expressive visual narratives. Her work is guided not by surface aesthetics, but by depth — both emotional and philosophical.

Sungurtekin's artistic practice blends abstraction and figuration through powerful, intuitive brushwork, layered compositions, and symbolic forms. Her paintings are shaped by a rich conceptual background rooted in German Expressionism, Symbolism, and psychological art. Drawing inspiration from lived experience, she explores themes such as feminine energy, subconscious memory, emotional transformation, and collective consciousness.

For her, the canvas is not merely a surface but a metaphysical space where subconscious and spiritual energies flow. Each brushstroke represents an intuitive realization, a vibration of the soul, and an act of inner surrender. Color functions not only as an aesthetic element but as a frequency of energy — translating emotional truth and vitality into form and movement.

Sungurtekin often creates compositions inspired by childhood memories, intimate connections to ordinary objects, personal rituals, and moments of heightened awareness. Her visual storytelling captures the intersection of the personal and the universal — evoking empathy, belonging, identity, and the ruptures within cultural memory. Her work resonates with mystical and philosophical depth, integrating cosmic, Sufi, and metaphysical dimensions.

In 2004, she was appointed as the First Turkish Female Naval Painter by the Turkish Naval Forces and served aboard the TCG Salih Reis Frigate as an Honorary Major. This transformative experience inspired her powerful Wardroom and Rope series. In 2023, she was honored as a World Artist at the Busan International Environmental Art Festival (BIEAF), South Korea — a recognition of her powerful visual language at the intersection of identity, emotion, and narrative.

Her painting process often flows between conscious design and intuitive spontaneity. A figure seated in a chair may serve as a memory portal; layered textures may evoke the release of buried emotions or the reformation of the self. Her narratives are rarely linear or conclusive — instead, they invite viewers to feel, reflect, and participate. Each painting remains open, shaped by life, memory, and evolving interpretations.

Göknil Gümüş Sungurtekin’s art is a living dialogue — a courageous and authentic space where emotion meets concept, the visible meets the unseen, and the self encounters the canvas.

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