Nef de la basilique Saint-Pierre au Vatican (1735) Painting by Giovanni Paolo Panini
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine prints-
Original Artwork
Painting,
Oil
- Dimensions Dimensions are available on request
- Framing This artwork is not framed
- Categories Classicism Architecture
Dans cette œuvre, on peut contempler la nef centrale de la basilique, caractérisée par sa vaste étendue, ses lignes architecturales élégantes et la lumière qui baigne l'espace. Les colonnes majestueuses s'élèvent de part et d'autre, créant une allée imposante menant au maître-autel situé à l'extrémité de la nef. Les détails minutieux des sculptures, des fresques et des éléments décoratifs ornant les murs et les plafonds témoignent du talent de Panini pour la reproduction réaliste.
L'œuvre dépeint également les fidèles qui déambulent dans la nef, soulignant ainsi le rôle central de l'église en tant que lieu de culte et de rassemblement spirituel. Les jeux de lumière et d'ombre accentuent la solennité du lieu et créent une atmosphère de dévotion et de réflexion.
Related themes
Giovanni Paolo Panini (1691 - 1765) was an Italian painter and architect, known for his contributions to the genre of veduta painting, which depicted detailed and often imaginary views of cities, ruins and architectural wonders. He was born in Piacenza, Italy, and showed an early aptitude for art. He first trained under the tutelage of his uncle, himself a painter, before studying in Rome.
Panini became known for his great ability to represent architectural elements with precision and realism. He often incorporated ancient Roman ruins and famous monuments into his compositions, creating scenes that combined historical accuracy and imagination. His works frequently featured bustling markets, grandiose palaces and iconic buildings, all rendered in meticulous detail.
One of Panini's notable achievements was his role as set designer for various productions theaters in Rome. His understanding of perspective and architectural detail allowed him to create illusionistic settings that captivated audiences.
His fame extended beyond the borders of Italy, and his veduta paintings attracted audiences. patrons from all over Europe, including nobility and collectors. As his reputation grew, Panini was appointed principal veduta painter to several popes, solidifying his position as a preeminent artist of his day.
The Legacy of Panini is mainly linked to his extraordinary ability to capture the grandeur of architecture and urban spaces in his paintings. His works have become valuable historical documents, providing insight into how cities and monuments looked in the 18th century. Today, many of his paintings can be found in prestigious museums and private collections around the world, testament to his lasting influence on the veduta genre and his lasting impact on the world of art. art.
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Nationality:
ITALY
- Date of birth : 1691
- Artistic domains: Represented by a Gallery,
- Groups: Contemporary Italian Artists Artists presented by a gallery
