La Part Manquante (2024) Digital Arts by Georges Dumas

Digital Arts, 25.2x18.9 in
$1,817.02
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This artwork is framed
Mounted on Wood Stretcher frame
This artwork appears in 2 collections
"La Part Manquante" poursuit l'exploration du corps traité comme une forme minérale inachevée, comme un bloc de pierre duquel une statue n'a pas fini d'être sculptée. Ici, presque tout est prêt, terminé, il s'agit d'un homme nu, vu de dos, assis sur ce qui ressemble à une souche d'arbre pétrifiée. Ce n'est qu'en regardant le tableau avec attention [...]
"La Part Manquante" poursuit l'exploration du corps traité comme une forme minérale inachevée, comme un bloc de pierre duquel une statue n'a pas fini d'être sculptée. Ici, presque tout est prêt, terminé, il s'agit d'un homme nu, vu de dos, assis sur ce qui ressemble à une souche d'arbre pétrifiée. Ce n'est qu'en regardant le tableau avec attention qu'on s'aperçoit qu'il manque quelque chose derrière ce bras curieusement courbé comme une arche au-dessus des épaules... Contorsionniste extrême ou homme sans tête?...
Ce tableau est réalisé en technique mixte sur toile, il combine photographie, composition digitale et peinture à l'acrylique, avec un carré de signature réalisé en relief à la surface de la toile. Le tableau est encadré en caisse américaine de bois noir (dimensions totales : environ 71 x 55 x 3,5 cm).

Related themes

HommeNuDosAssisMinéral

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Georges Dumas is a French visual artist born in 1975. He creates works he calls "paintographies," i.e., mixed-media works on canvas that combine photography, digital composition, and acrylic painting. The human [...]

Georges Dumas is a French visual artist born in 1975. He creates works he calls "paintographies," i.e., mixed-media works on canvas that combine photography, digital composition, and acrylic painting. The human figure is the primary subject of these works, with a significant focus on the nude and drapery, in keeping with the statuary of Antiquity and the Renaissance. The intersection of techniques and the importance given to mineral materials that replace the flesh of the models make paintographies unclassifiable works, both classic and contemporary, familiar and strange, on the borders of painting, sculpture and photography, in an aesthetic of freezing and petrification that justifies talking about virtual sculpture.

He has presented his work in France and Europe since 2007 through solo and group exhibitions in galleries, fairs (Fotofever, Art Up, Art Montpellier) and exhibitions (MacParis, Puls’Art, Figuration Critique, ArtCité, Solid’Art, etc.)

With 6 other artists, he founded the Transfiguring movement in December 2014 and is one of its main leaders. We owe him the text of the book published in 2018 which presents the artistic approach of the group as well as most of the texts in the media. He regularly gives lectures on the place of Transfiguring in contemporary photography.

After his work was published in November 2019 in the magazine Niepcebook, he began a collaboration with the publisher Corridor Eléphant as an author of texts on other artists; in December 2021, a 178-page monograph retracing the first 15 years of his artistic career was published by the same publisher. In early 2022, a six-week retrospective was held at the Chapelle Saint-Pry in Béthune.

Since this major exhibition, Georges Dumas has produced around a hundred works on canvas, continuing his exploration of materials and the human figure…

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