Bronze lions, entrance group (2004) Sculpture by Gennadi Boldyrev

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Seller Gennadi Boldyrev

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  • Original Artwork (One Of A Kind) Sculpture, Bronze on Metal
  • Dimensions Height 38.6in, Width 81.9in / 500.00 kg
  • Artwork's condition The artwork is in very good condition
  • Fit for outdoor? Yes, This artwork can be displayed outdoor
  • Categories Figurative Animal
Bronze lions, entrance group. The lion symbolizes courage, fearlessness, power, and energy. Traditionally, lion sculptures were placed symmetrically on either side of grand staircases. My lions are vigilant guardians. The lions' pose is calm, full of dignity, confidence in their strength, and superiority over others. My task was to depict internal [...]
Bronze lions, entrance group.
The lion symbolizes courage, fearlessness, power, and energy. Traditionally, lion sculptures were placed symmetrically on either side of grand staircases. My lions are vigilant guardians. The lions' pose is calm, full of dignity, confidence in their strength, and superiority over others. My task was to depict internal growling and dynamics despite the static composition, the willingness to immediately stand up for protection.

Бронзовые львы, входная группа.
Лев- символ доблести, бесстрашия, мощи и энергии. Традиционно скульптуры Львов располагали строго симметрично по сторонам от парадных лестниц. У меня львы- бдительные стражники. Поза Львов спокойна , полна достоинства, уверенности в своей силе и превосходстве над другими. Моей задачей было , при всей статичности композиции, изобразить внутреннее рычание и динамику, готовность немедленно стать на защиту

Related themes

ЛьвыАнималистикаСкульптура ЛьваСкульптура ЖивотныхДикая Природа

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The sculpture is not photogenic: three-dimensional, turning into two-dimensional, loses the lion's share of expressiveness. But even in such a simplified state, the works of sculptor Gennady Boldyrev can stand [...]

The sculpture is not photogenic: three-dimensional, turning into two-dimensional, loses the lion's share of expressiveness. But even in such a simplified state, the works of sculptor Gennady Boldyrev can stand up for themselves. They don't need the art of photography because they are art themselves. Independent and, at the same time, closely related to the environment. His works do not argue with the interior or architecture. On the contrary, they confirm and emphasize what the architect intended, and sometimes they replenish what he wanted to make up for. Boldyrev easily reads other people's ideas without sacrificing his own, so he is good to work with. But not only for this reason. The sculptor, who graduated first from the Penza Art School and then from the Kharkov Art Institute, prefers metal, but works brilliantly with any material, from wood to stone. He equally respects the modern and the folk, but he does not accept clichés. His strength is nontrivial solutions to trivial issues, so he takes on things that others cannot do. And he succeeds. Gennady's portfolio includes complex objects for restoration and completely unique works, portraits of people and animal figures, furnishings and author's sculptures. He is certainly not a man of genre. But he is a man of quality, which cannot be achieved by mastery alone. He is an artist who turns everything he touches into art, both literally and figuratively. Modest, demanding of himself, condescending to others and not too voluble. His sculptures speak for him - in a complex language, nevertheless understandable to everyone, from the most unsophisticated buyer to the most erudite art historian. (Natalia Shustrova, art critic, editor-in-chief of the architectural portal “Forma”)

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