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L'era dell'appariscenza (2019) Painting by Gabriele Provana
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.

Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.

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1085 px |
Dimensions of the file (px) | 1500x1085 |
Use worldwide | Yes |
Use on multi-support | Yes |
Use on any type of media | Yes |
Right of reselling | No |
Max number of prints | 0 (Zero) |
Products intended for sale | No |
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Art image bank-
Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 19.7in, Width 27.6in
- Framing This artwork is not framed
- Categories Paintings under $5,000 Conceptual Art Abstract
Non importa che sia vera, realistica o sensata, basta che faccia notizia. I sondaggi in tempo reale sul gradimento, sul consenso, sull’adesione dei “mi piace” sono il fine che giustifica la “profonda superficialità” dell’informazione o addirittura della disinformazione. Le “fake news” sono ormai strumento di manipolazione di massa. Anche il tempo di persistenza di una notizia, di un post, di una chat in un blog sono oggetto del desiderio di vendita prima di tutto di un’immagine. Così, molti arrivano ad essere preda del fenomeno della memoria del pesce rosso, abdicando al senso critico e aderendo oggi ad un proclama esattamente contrario a quello esternato pubblicamente dallo stesso soggetto magari solo pochi giorni prima.
In questo modo però l’uomo perde la sua identità, trasformandosi in un novello super-uomo post D’Annunziano tutto dedito alla cura del proprio apparire, alla ricerca dell’estetica fine a se stessa e di un edonismo superficiale. Ciò che resta è una distorta apparenza, ormai lontana dalla realtà, quasi figura accattivante e mostruosa di un improbabile mito.
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Engineer by profession, artist by need.
He was born in Crema in 1968 and developed his first classical training becoming passionate about literature, painting and philosophy.
Attracted by challenges, he then completely changed context, dealing with science and technology, until he later graduated in electronic engineering, specializing in mobile robotics and artificial intelligence.He develops a managerial path of responsibility, but keeps his passions for the arts, philosophy, thought and emotions alive, feeling the need to go beyond the physicality and contingencies of technique, which cannot contain the expressive need of the spirit.
Thus, he expresses what he feels through poetry, confrontation and thought. He also arrives at painting, which becomes an extension of his feeling of him, a game of emotions, a dialogue with himself.
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Nationality:
ITALY
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Italian Artists