L'era dell'appariscenza (2019) Painting by Gabriele Provana

Oil on Canvas, 19.7x27.6 in
$1,595.61
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Fine art paper, 8x11 in

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Viviamo in un’era dove apparire è divenuto più che necessario, più che accattivante, più che utile. Da mezzo è divenuto lo scopo. L’attenzione spasmodica all’immagine, alla continua presenza sui social media, alla cura del proprio apparire sta travalicando la sostanza e i contenuti reali. Spesso sembra che sia più importante esprimere un’opinione, [...]
Viviamo in un’era dove apparire è divenuto più che necessario, più che accattivante, più che utile. Da mezzo è divenuto lo scopo. L’attenzione spasmodica all’immagine, alla continua presenza sui social media, alla cura del proprio apparire sta travalicando la sostanza e i contenuti reali. Spesso sembra che sia più importante esprimere un’opinione, magari sbagliata o assurda, ma sufficientemente estroversa da apparire innovativa.
Non importa che sia vera, realistica o sensata, basta che faccia notizia. I sondaggi in tempo reale sul gradimento, sul consenso, sull’adesione dei “mi piace” sono il fine che giustifica la “profonda superficialità” dell’informazione o addirittura della disinformazione. Le “fake news” sono ormai strumento di manipolazione di massa. Anche il tempo di persistenza di una notizia, di un post, di una chat in un blog sono oggetto del desiderio di vendita prima di tutto di un’immagine. Così, molti arrivano ad essere preda del fenomeno della memoria del pesce rosso, abdicando al senso critico e aderendo oggi ad un proclama esattamente contrario a quello esternato pubblicamente dallo stesso soggetto magari solo pochi giorni prima.
In questo modo però l’uomo perde la sua identità, trasformandosi in un novello super-uomo post D’Annunziano tutto dedito alla cura del proprio apparire, alla ricerca dell’estetica fine a se stessa e di un edonismo superficiale. Ciò che resta è una distorta apparenza, ormai lontana dalla realtà, quasi figura accattivante e mostruosa di un improbabile mito.

Related themes

AppariscenzaApparireImmagineEsteticaColore

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Engineer by profession, artist by need. He was born in Crema in 1968 and developed his first classical training becoming passionate about literature, painting and philosophy. Attracted by challenges, he then completely [...]

Engineer by profession, artist by need.


He was born in Crema in 1968 and developed his first classical training becoming passionate about literature, painting and philosophy.

Attracted by challenges, he then completely changed context, dealing with science and technology, until he later graduated in electronic engineering, specializing in mobile robotics and artificial intelligence.He develops a managerial path of responsibility, but keeps his passions for the arts, philosophy, thought and emotions alive, feeling the need to go beyond the physicality and contingencies of technique, which cannot contain the expressive need of the spirit.

Thus, he expresses what he feels through poetry, confrontation and thought. He also arrives at painting, which becomes an extension of his feeling of him, a game of emotions, a dialogue with himself.

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