L’ATTENTE ZÉROZOÏSTE (1992) Drawing by François-Pierre Bleau (Dit Zéro Zoo)
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine prints-
Original Artwork (One Of A Kind)
Drawing,
Pencil
on Paper
- Dimensions Height 30in, Width 23.3in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Figurative Bird
1992
Oiseau aux parcours résumés, comme en un dessin syncopé de segments expressifs de mimiques. Crayon fou, sinueux d'imprévus, amuseurs, issu d'un carnet de volatiles croqués dans l'imaginaire aux résonnances humaines et théâtrales.
En regardant ce chef-d'oeuvre qui est une véritable érection artistique, picturale et Zérozoïste, l'on ne peut que constater la supériorité absolue du maître Zéro Zoo en dessin syncopé ou non, mais non estropié. À titre d'exemple comparatif, les autres grands maîtres qui l'ont précédé et qui ne possédaient ni l'originalité, ni l'imagination, ni la trempe, ni la modestie Zérozostiène, on eut beau s'être acharné à essayer de réussir des centaines de barbouillages durant toute leur vie, aucune de ces griffonneries n'arrive à être aussi sexy, dans le sens pictural et artistique que ce volatil Zérozoïste.
(Il est à noter que Zéro Zoo a souvent posé devant le miroir pour dessiner beaucoup de ses oiseaux! Ce sont alors des formes d’autoportraits!)
Zéro Zoo est un artiste et créateur multiple qui est composite à l’extrême : «Je suis un artiste virtuose méconnaissable d’un concept pictural à l’autre, je suis pour la plénitude de l’expression, j’ai toujours créé dans une diversité inouïe d’approches Zérozoïstes et de styles qui peuvent même être antagonistes à outrance et qui défient toutes règles et tous les académismes issus de l’art institutionnel subventionné dit «art contemporain», mais aussi de «l’art traditionnel» tout aussi borné. Dans la dissidence, je vis, crée, combats dans le maquis de l’art, j’avais bien dit «Ma seule arme c’était l’art et l’écriture : je suis pour l’armement.» Zéro Zoo a été, est, et sera tel quel envers et contre tous.»
Oeuvre et texte tirés du livre «Précis de Zérozoïsme» en 4 tomes, par Zéro Zoo. Disponible chez Amazon.
Arts contemporains Zérozoïstes.
Related themes
François-Pierre Bleau, known as ZÉRO ZOO, a diversified painter-sculptor and dissident art ideologue, was born in Montreal in 1952. His entire artistic and ideological work, spanning a career spanning 50 years, is summarized in his book "Précis de Zérozoïsme" in 4 volumes, 2100 pages, 578 reproductions, and has been the subject of 10 editions since 1986, available in digital or paper format at Amazon and in bookstores.
Zéro Zoo is an innovative artist and creator who is extremely diversified. "I am a virtuoso artist who is unrecognizable from one pictorial concept to another. I am for the fullness of expression. I have always created in an incredible diversity of Zerozoist approaches and styles that can even be opposed to excess and that defy the rules and academicisms resulting from subsidized institutional art called "contemporary art", but also from "traditional art" just as narrow-minded. In dissidence, I live, create, fight in the thicket of art. Zero Zoo has been, is, and will be as is against all odds."
Zero Zoo has practiced the profession of artist full-time since the age of 18, mainly in Canada and the USA. He was represented by 50 galleries listed on three continents. "To remain free, I also used parallel means of dissemination and sale for my art, underground means that I call my art maquis."
Zéro Zoo never wanted to do exhibitions, preferring the effectiveness of varied works that, as soon as they are done, are exhibited in galleries and quickly sold. "The only exhibition I did in 50 years was a didactic event demonstrating my Zerozoism, lasting 4 months, it attracted 5,000 visitors to the Zerozoist Museum in Montreal despite an admission price. It was my Expo-Zérozoïste of 1986, which remains the most radical and protest-oriented historical event in art. It attacked the key points of art, advocated a revolutionary ideology, a new aesthetic." This exhibition received the worst criticism in the annals of art, because it overturned the dictatorial establishment of art; the academicism of contemporary art! This emancipation of art brought over the years, to its initiator, Zéro Zoo, a notoriety and a specific artistic value associated with his works. The event received wide factual coverage; radio, television, written press, unleashing endless passions!
Zéro Zoo, the Zérozoïste guide, is a self-taught artist-researcher who learned on the job. "All of my work is complex, polymorphous, polysemic, labyrinthine, goes to the antipodes, defies rules and examples. It uses the tensions between conformism and anticonformism, plays on the balance and imbalance of these tensions against stagnation; academicism. My work is a reflection and microcosm of life, society, the universe. Its versatility is a system of creation, exploration, liberation, sharing; a courteous fight against stupidity in art and in life. Its goals; unprecedented, unlimited progress toward harmony and orgasmic and heavenly well-being.
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Nationality:
CANADA
- Date of birth : 1952
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Canadian Artists
