PASSAGE ZÉROZOÏSTE no. 20.009785K.D12 (1991) Painting by François-Pierre Bleau (Dit Zéro Zoo)
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"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
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About our fine prints-
Original Artwork (One Of A Kind)
Painting,
Oil
/
Pencil
on Canvas
- Dimensions Height 35in, Width 35in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Figurative Industry
Arts industriels contemporains Zérozoïstes.
Graphies contemporaines autour d'une poésie urbaine. Lueurs extirpées du banal de lieux presque abandonnés et que de passage. Fascination hypnotique et communion vers un ailleurs toujours ailleurs et intérieur. Une âme, un fluide, une impression, tous traduit tel quel et plus vrais que réels. Auras, visions, vies cachées et métamorphoses du souffle des lieux sous l’émotion du regard. Ondes fragiles, mouvantes. Signes et traces d'expressions indicibles, mais perceptibles d'une longueur d'onde contemporaine métaphysique. Saisir et traduire la lumière poétique et le pouls d’une époque, d’un instant d’une vie en passage. Parfum de tristesse, de beauté, de ce qui est fugitif, est, ou était. Transcender le lieu. Transfiguration hallucinogène. Lumière spirituelle photosensible. Radiographie du temps, de l’état des choses fané. Pulsation de la vie délaissée, hantée du vide, habitée du néant, du passé à reculons, du présent qui avance en futur de regret. Effondrement et oubli angoissant. Cimetière architectural et sociétal. Prémonition de destruction contagieuse d’envergure malgré une lumière belle et un espace-temps indifférent et qui semble interpénétrer toutes choses et semble être éternel.
(Parfois, lorsque l’on dessine, peint, retranscrit graphiquement un monde, il y a une fusion avec celui-ci, il nous pénètre et nous le pénétrons, l’on devient celui-ci et il devient nous. L’on tire de l’oubli la magie du monde que la vie rapide de tous les jours nous voile. Les énigmes des lieux, des choses, des êtres, sont ressenties dans un état de conscience modifié. Les mêmes scènes vues cent fois se transforment en une réalité supérieure.)
Zéro Zoo est un artiste et créateur multiple qui est composite à l’extrême : «Je suis un artiste virtuose méconnaissable d’un concept pictural à l’autre, je suis pour la plénitude de l’expression, j’ai toujours créé dans une diversité inouïe d’approches Zérozoïstes et de styles qui peuvent même être antagonistes à outrance et qui défient toutes règles et tous les académismes issus de l’art institutionnel subventionné dit «art contemporain», mais aussi de «l’art traditionnel» tout aussi borné. Dans la dissidence, je vis, crée, combats dans le maquis de l’art, j’avais bien dit «Ma seule arme c’était l’art et l’écriture : je suis pour l’armement.» Zéro Zoo a été, est, et sera tel quel envers et contre tous.»
Oeuvre et texte tirés du livre «Précis de Zérozoïsme» en 4 tomes, par Zéro Zoo. Disponible chez Amazon.
Arts contemporains Zérozoïstes.
François-Pierre Bleau, known as ZÉRO ZOO, a diversified painter-sculptor and dissident art ideologue, was born in Montreal in 1952. His entire artistic and ideological work, spanning a career spanning 50 years, is summarized in his book "Précis de Zérozoïsme" in 4 volumes, 2100 pages, 578 reproductions, and has been the subject of 10 editions since 1986, available in digital or paper format at Amazon and in bookstores.
Zéro Zoo is an innovative artist and creator who is extremely diversified. "I am a virtuoso artist who is unrecognizable from one pictorial concept to another. I am for the fullness of expression. I have always created in an incredible diversity of Zerozoist approaches and styles that can even be opposed to excess and that defy the rules and academicisms resulting from subsidized institutional art called "contemporary art", but also from "traditional art" just as narrow-minded. In dissidence, I live, create, fight in the thicket of art. Zero Zoo has been, is, and will be as is against all odds."
Zero Zoo has practiced the profession of artist full-time since the age of 18, mainly in Canada and the USA. He was represented by 50 galleries listed on three continents. "To remain free, I also used parallel means of dissemination and sale for my art, underground means that I call my art maquis."
Zéro Zoo never wanted to do exhibitions, preferring the effectiveness of varied works that, as soon as they are done, are exhibited in galleries and quickly sold. "The only exhibition I did in 50 years was a didactic event demonstrating my Zerozoism, lasting 4 months, it attracted 5,000 visitors to the Zerozoist Museum in Montreal despite an admission price. It was my Expo-Zérozoïste of 1986, which remains the most radical and protest-oriented historical event in art. It attacked the key points of art, advocated a revolutionary ideology, a new aesthetic." This exhibition received the worst criticism in the annals of art, because it overturned the dictatorial establishment of art; the academicism of contemporary art! This emancipation of art brought over the years, to its initiator, Zéro Zoo, a notoriety and a specific artistic value associated with his works. The event received wide factual coverage; radio, television, written press, unleashing endless passions!
Zéro Zoo, the Zérozoïste guide, is a self-taught artist-researcher who learned on the job. "All of my work is complex, polymorphous, polysemic, labyrinthine, goes to the antipodes, defies rules and examples. It uses the tensions between conformism and anticonformism, plays on the balance and imbalance of these tensions against stagnation; academicism. My work is a reflection and microcosm of life, society, the universe. Its versatility is a system of creation, exploration, liberation, sharing; a courteous fight against stupidity in art and in life. Its goals; unprecedented, unlimited progress toward harmony and orgasmic and heavenly well-being.
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Nationality:
CANADA
- Date of birth : 1952
- Artistic domains: Works by professional artists,
- Groups: Professional Artist Contemporary Canadian Artists
