Painting titled "O Violão de Ingres" by Fernando Lucio, Original Artwork, Oil

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O Violão de Ingres (2005) Painting by Fernando Lucio

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Oil, 39.4x31.5 in

$1,363.84

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Original Artwork Painting, Oil

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Original Artwork

Original Artwork refers to any work that is considered authentic and not a copy or imitation of the original works of an artist. Original artwork can be any type of painting, sculpture, performance, or other media. There are many types of original media. Mixed media includes oil, acrylic, and watercolor paintings. For workshop paintings that bear evidence of master craftsmanship, this attribution must be further qualified. While they may be less valuable for different reasons, reproductions and copies have had a tremendous impact on our experience. They reach a greater audience than originals and act as a tonic against commodification. Original Artwork could also refer to the first work, which is always preceding all others. It could also refer to a prototype or a model from which other works can be made. Each work bears great similarities to the original.
Dimensions Height 39.4in, Width 31.5in
Categories Paintings under $5,000 Figurative

Um mulher nua tocando um violão, após o banho About this artwork: Classification, Techniques & Styles. Oil. Paint consisting of pigments bound with linseed oil or carnations. The traditional technique consists of superimposing layers of paint increasingly rich in oil for a solid and durable hanger. Figurative. Figurative and colorful painting having [...]

Fernando Lucio

Brazil

Fernando Lúcio de Lima Barbosa é Desenhista, Pintor, Gravador, Escultor, Ceramista, Tapeceiro, Muralista, Artista Digital, Professor de Artes Plásticas, Especialista em Criatividade, Arte-terapia, Iconografia, Semiótica da Arte, Gestalt, Pesquisador da Ciência das Artes cadastrado pela UNESCO, UCM e MEC da Espanha e do Brasil.

Escola de Belas Artes de Pernambuco, 1973/1978.
Licenciatura em Artes Plástica, Universidade Federal de Pernambuco, 1979/1983.
Especialização em Artes Plástica, Universidade Federal de Pernambuco, 1987/1988.
Doutorado (PhD) em Belas Artes, Universidade Complutense de Madrid, Espanha, 1996/2000.

Alguns de seus mestres: Mario Nunes, Murillo La Greca, Pierre Chalita, Elezier Xavier, Baltazar da Câmara, Laerte Baldini, Lenira Regueira, Queralt Prat, João Batista, Aurora de Lima, Julián Gil Martinez, Antonio Ramos Notário, Dimitri Papagueorguiu e outros.

É professor do Centro de Artes e Comunicação da UFPE desde 1979, Autor do "Projeto Bibiano Silva" - Fundarpe, 1982/2000 e Criador do "GAPP", Grupo de Artistas Plásticos Pesquisadores de Pernambuco, 1988/1990.

Fundou juntamente com os professores Laerte Baldini e Aurora de Lima os “Atelieres do Benfica”, na rua Benfica, 157, Madalena, no ano de 1980, onde foi coordenador por vários anos consecutivos, Departamento de Teoria da Arte e Expressão Artística da UFPE. Foi fundador e presidente do Sindicato dos Artistas Plásticos Profissionais de Pernambuco (SINAPP-PE), primeiro sindicato da categoria no Brasil, 1989/1999. Membro do Círculo de Belas Artes de Madri, Espanha - 1996/1999. Membro da Academia de Artes, Letras e Ciências de Olinda, 2005. Atualmente é vice-presidente do (SINAP-PE), Sindicato dos Artistas Plásticos de Pernambuco.

Curador de exposições Nacionais e Internacionais, como: “Evidencias das Artes Plásticas em Pernambuco IV”, Aliança Francesa, Recife, 1989; “Coletiva de Artistas Pernambucanos”, Aliança Francesa de João Pessoa, 1990; “I Salão da Estética Livre de Pernambuco", Centro de Convenções de Pernambuco, 1992; "Exposição de Artes da I Semana do Brasil”, em Madri, Espanha, 1998; "Pintores Iberoamericanos Intemédio”, em Madri, Espanha, 2000; "El Retablo del Signo”, em Madri, Espanha, 2000, entre outras.

Catalogado em: “Artistas de Pernambuco”, Recife, 1982; “Catálogo Pernambucano de Arte”, Recife, 1987; “Artes Plástica Brasil", nos vols.VI à XII, 1993 a 2003, São Paulo; "Cadastro Arte Mayor de Pernambuco", nos vols. I e II, Recife, 1995 e 1997; "Artes e Artistas de Madri", 2001; "Arte Castellana, de Madri", 2001. Publicações de sua obra em livros: “Remolinos del Tiempo”, Madri, 1999; “Mercosur y Unión Europea: De la Cooperación al Libre Comercio”, Rio de Janeiro, 2001; “Guía de Fuentes Bibliográficas y de Recursos para la Investigación en Internet de las Relaciones entre el Mercosur y la Unión Europea”, Rio de Janeiro, 2001, “O Livro do Esquecimento”, 2003, Recife.

Revistas: “A Semana no Recife”, "Afinal"; "Quadra; "Veja"; “...