Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
Grandmother's room III (2023) Painting by Fatmir Brezanin
Let us know if you would like to see more photos of this artwork!
- Back of the work / Side of the work
- Details / Signature / Artwork's surface or texture
- Artwork in situation, Other...
More info
- Packaging (Wood Crate) All artworks are shipped with a premium carrier, carefully protected and insured.
- Tracking Order tracking until the parcel is delivered to the buyer. A tracking number will be provided so that you can follow the parcel in real-time.
- Delay Worldwide delivery in 3 to 7 days (Estimate)
- Customs not included The price does not include customs fees. Most countries have no import tax for original artworks, but you may have to pay the reduced VAT. Customs fees (if any) are to be calculated on arrival by the customs office and will be billed separately by the carrier.
More info
- Trackable Online Certificate of Authenticity Authenticity Certificates can be verified online at any moment by scanning the artwork code.
- Artist Value Certification Experts study the work and career of an artist then establish an independent and reliable average price value. The average price value situates the artist on a price range for a given period. The experts may also be asked to establish a more precise estimate for a particular work.
More info
100% secure payment with SSL certificate + 3D Secure.
More info
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
For Artists! You help artists to live from their work. They receive royalties everytime you buy their prints.
About our fine prints-
Original Artwork (One Of A Kind)
Painting,
Oil
on Canvas
- Dimensions Height 39.4in, Width 27.6in
- Artwork's condition The artwork is in perfect condition
- Framing This artwork is not framed
- Categories Paintings under $5,000 Figurative Everyday Life
This particular painting is set in the evening, like some of my other interpretations, but it stands apart in its use of bolder color contrasts and heightened tonal drama. Where some earlier versions emphasized quietude and subtlety, this piece embraces the expressive potential of the hour—when the day gives way to night and the shifting light momentarily intensifies everything it touches.
A rich blue twilight enters the room from the window, casting strong, cool shadows that stretch across warm interior surfaces. The golden remnants of artificial light or late sun—perhaps a lamp or a sunset’s final glow—illuminate parts of the room in deep, saturated warmth. These two light sources—blue from outside and gold from within—clash and converse across the canvas, creating a visual tension that breathes life into the space. The resulting effect is a dynamic interplay between stillness and movement, cool and warmth, memory and immediacy.
The brushwork remains loose and expressive, characteristic of my approach, but the contrast in color temperature and value gives the composition added structure and emotional charge. Objects that may be familiar—a chair, a curtain, a framed photograph—are recast in new roles through light and shadow, becoming almost theatrical. This heightened palette reflects not just a visual choice, but an emotional one: an intensified sense of presence, a vivid recollection sharpened by time and feeling.
This painting, like the room itself, is filled with echoes—of someone once there, of daily rituals now suspended, of the intimate atmosphere that only memory can reconstruct. It’s about how places continue to live inside us, even as time moves forward, and how color and contrast can act as vessels for that remembered intensity.
Ultimately, this work is not just about a room—it’s about how memory glows and deepens over time. It’s about the evening not as an ending, but as a moment of emotional richness, where light and shadow become metaphors for love, loss, and the layers of a life once shared."
Related themes
For my graduation series of works I decided not to philosophize with the selection of motives and themes. I decided to paint intimate moments inside my house in which I was born and still live, and immediate surrounding, as this is what I know and expirience unrelentingly. Analogous to the often heard advice for writters "writte about what you know". If you don't find beauty in your immediate surrounding where you open your eyes in the morning, you will hardly find it anywhere, not in Venice, nor in Paris. Subject matter is close to you. For now, I paint the impression of what is in front of me, very close to me. And going closer and closer I plan to sometime paint what is inside of my mind. Meaning: full abstraction.
My painting, although currently still somewhat traditional and academic, partly because of...well, academic obligations, and partly because of nostalgic forces acting out my initial fascination with classical painting as a young boy, nevertheless contain sparks of my desire to liberate my expression, hints of my uncontrolled idiosyncratic movements. My notebooks are being rapidly filled with observations, logical conclusions, clear and concrete ideas that will stay in my mind as I gradually strip away the unnecessities from my painting and create by free play within and upon the fundamental ideas in the upcoming times.
Unpopular opinion: I think that originality is overvalued nowadays. Although it is a factor, a huge factor, undoubtedly, it's not THE factor. Immanuel Kant observed that nonsense can be original. "Craters allow quantum consciousness to harness misleading dealers of HDMI cables" is a perfectly valid sentence grammatically. Probably no one ever put those words in that order before. Truly original sentence. Nonsense, nevertheless. Dogmatic originality, as an end in itself, seems forced, inhibiting organic instances of original ideas, and neglecting other qualitative factors. Depending on criteria, when low, painting a stick man in the background of the copy of Mona Lisa could be considered original if no one did it before. On the other extreme of the spectrum, painting can not be original if it's oil on canvas. Blood on a goats wool? Now that may be somewhat original. Though an attempt at banalization, I consider it seriously on second thought. Granted, this opinion could very well be a product of a defence mechanism undervaluing my originality deficit. lol I have original ideas... they are just not realized yet haha
-
Nationality:
SERBIA
- Date of birth : unknown date
- Artistic domains:
- Groups: Contemporary Serbian Artists
