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Seller Fabrice Richard
"Fine-Arts" prints on paper
It is a process of printing on art paper using very high-quality pigment inks and printed in very high definition. Its level of conservation is exceptional (more than 100 years), its quality, depth, and richness of nuances exceeds the classic photo print on Argentic paper.
Glossy finish
Apart from its exceptional thickness, the fiber paper is composed of an alpha-cellulose base without acid and it is covered with barium sulphate, and a microporous layer absorption enhancing pigments during printing. A pure white color, non-yellowing to light, this paper is especially designed for resistance and aging. It is used by major museums worldwide as it offers excellent resolution, rendering deep and dense colors.
Art Print "Fine Art" - Glossy finish on a fiber base paper 325 g.
Our high end prints and reproductions
ArtMajeur only uses natural papers with neutral pH, resistant, and of high quality, selected from renowned papermakers!
Constant attention is paid by our master printer, whether in terms of color control or respect for the graphic chain. Our high level of quality requirement is a major asset of ArtMajeur framed art prints.
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About our fine prints-
Original Artwork (One Of A Kind)
Painting,
Watercolor
on Paper
- Dimensions Height 14.2in, Width 10.2in
- Framing This artwork is framed (Frame + Under Glass)
- Categories Paintings under $500 Figurative
By dint of watching waves crash against the rocks and dreaming of Breton moors shrouded in mist, Fabrice Richard felt the need to capture the storms of his imagination on paper. He appreciates the work of watercolorists such as Sonia Privat, Alexander Votsmuch, and the recent wave of Chinese artists. However, his influences are more likely to be found in realistic comic book artists, notably Patrick Prugne and Mathieu Lauffray, or photographers such as Philippe Plisson and Mickaël Kenna.
With the presence of water being the common thread of his early subjects, the choice of a medium such as watercolor was obvious. The transparency and freedom of the pigment deposited on wet paper sometimes dictates the watercolorist's vision. It contrasts with the thickness and absolute control of oil or acrylic. Speaking of watercolor, Fabrice Richard often defines it as a living technique that must be mastered. On a more technical level, watercolor is a succession of rapid actions interspersed with drying phases of varying length, which fits well with Fabrice's volatile concentration.
Self-taught, Fabrice Richard discovered watercolor around the age of 17, captivated by its lightness and deceptive simplicity. He learned his trade with a few brushes borrowed from his mother, a silk painter, and a study box. His first years were spent on deserted coasts exposed to the elements before humans gradually appeared in his paintings. More recently, through an association in the Yvelines region, Martine Frébault provided him with the keys to better manage his colors. These elements, once assimilated, should open new horizons by pushing the limits of his abilities.
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Nationality:
FRANCE
- Date of birth : 1971
- Artistic domains:
- Groups: Contemporary French Artists
