The nest of scents (2022) Design by Faber Artisan

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  1275 px  

1500 px
Dimensions of the file (px) 1275x1500
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Use on multi-support Yes
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Art image bank
  • Original Artwork Design, Table art
  • Dimensions Height 3.4in, Width 8.7in
  • Artwork's condition The artwork is in perfect condition
  • Categories Designs under $1,000 Illustration Everyday Life
(Walking around this portal, I learn from real artists how the description of the work should look like.) So:. Only true connoisseurs of art know the somewhat hidden fact that all the great creative names were unusually fond of fragrances, especially patchouli and thyme. But also others, not to string furter on. This work was created as a tribute to [...]
(Walking around this portal, I learn from real artists how the description of the work should look like.) So:
Only true connoisseurs of art know the somewhat hidden fact that all the great creative names were unusually fond of fragrances, especially patchouli and thyme. But also others, not to string furter on. This work was created as a tribute to their hidden tendency, the inclination to use their nose. Also, it is quite possible that a man in an older phase of his creative effort, sculptural or painting, casually walked next to the cherry tree, from which this incense holder was later made. Or a carpenter. It is quite possible. Even quite likely.
(This is one of the better descriptions of mine, so - just follow the established artist-writers of descriptions.)

Related themes

Unique Wooden Incesnse HolderApplied ArtArt In Wood

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Why Faber Artisan? Why homo faber, the man who creates, in the 21st century, when everything is allready created? Probably not because of earnings, there are countless easier, simpler and more lucrative ways to [...]

Why Faber Artisan? 

Why homo faber, the man who creates, in the 21st century, when everything is allready created? Probably not because of earnings, there are countless easier, simpler and more lucrative ways to earn a bread, and this one is certainly not among those which make big money (you'll become a millionaire in it if you start as a billionaire). Then, certainly not to leave a trace, because almost everyone except masterpieces, and they are not necessarily spared, will be lost and disappear in the years ahead. 

But on the contrary, certainly because with the creation that is at hand, which is not a necessity, we set up the new limits of our own freedom, exclusively our own, in which we then comfortably and humanely understand the people around us, relationships and systems that form the reasons why both others are no better, but they so very might be. 

For the same reason pieces I make have a purpose, they are useful but I use the purpose as an alibi for (hopefully) artistic design. And because of a million reasons, I make only uniques. The main - each piece of wood is more unique than a human fingerprint or a sample of a cornea, and it pulls towards some self-given form. 

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